Javascript must be enabled to continue!
Shakespeare in the Theatre: Shakespeare Theatre Company
View through CrossRef
'This is a timely and valuable study, for the story of Shakespeare in America is inseparable from that of the nation’s capital. It’s a fascinating history, with many twists and turns, and Drew Lichtenberg and Deborah C. Payne do a superb job of bringing it to life.'James Shapiro, Columbia University, USA
Co-authored by the resident dramaturg at Shakespeare Theatre Company and a long-time scholarly consultant, this book chronicles how a small repertory troupe at the Folger Theatre on Capitol Hill became an internationally renowned company performing in a lavish, multi-venue performing arts centre in downtown Washington, D.C.
The artistic vision and business acumen of Michael Kahn, the founding Artistic Director, largely catalyzed this transformation, but so too did the forces of neoliberalism and, more recently, globalization and new media. Accordingly, Shakespeare in the Theatre: Shakespeare Theatre Company not only examines directorial decision-making but also 3 decades of social and economic change in the nation’s capital, from the complexities of gentrification to the arts policies of successive administrations.
In addition to discussions of directorial practice, this book examines the ambivalence of American theatre artists toward their British cultural inheritance. Analyses of representative productions and interviews with Kahn and his British successor, Simon Godwin, illuminate this complex relationship: one that aspires to a cosmopolitan Anglophilia while positioning classically trained American actors as worthy rivals to their counterparts at the RSC and the National Theatre of Great Britain.
Title: Shakespeare in the Theatre: Shakespeare Theatre Company
Description:
'This is a timely and valuable study, for the story of Shakespeare in America is inseparable from that of the nation’s capital.
It’s a fascinating history, with many twists and turns, and Drew Lichtenberg and Deborah C.
Payne do a superb job of bringing it to life.
'James Shapiro, Columbia University, USA
Co-authored by the resident dramaturg at Shakespeare Theatre Company and a long-time scholarly consultant, this book chronicles how a small repertory troupe at the Folger Theatre on Capitol Hill became an internationally renowned company performing in a lavish, multi-venue performing arts centre in downtown Washington, D.
C.
The artistic vision and business acumen of Michael Kahn, the founding Artistic Director, largely catalyzed this transformation, but so too did the forces of neoliberalism and, more recently, globalization and new media.
Accordingly, Shakespeare in the Theatre: Shakespeare Theatre Company not only examines directorial decision-making but also 3 decades of social and economic change in the nation’s capital, from the complexities of gentrification to the arts policies of successive administrations.
In addition to discussions of directorial practice, this book examines the ambivalence of American theatre artists toward their British cultural inheritance.
Analyses of representative productions and interviews with Kahn and his British successor, Simon Godwin, illuminate this complex relationship: one that aspires to a cosmopolitan Anglophilia while positioning classically trained American actors as worthy rivals to their counterparts at the RSC and the National Theatre of Great Britain.
Related Results
Shakespeare's Family
Shakespeare's Family
While many things about Shakespeare's life are unknown, certainly, like everyone else, he had a family. This book gathers into a single source as much information as possible conce...
Shakespeare in the Theatre: Tina Packer
Shakespeare in the Theatre: Tina Packer
This book examines the work of acclaimed director Tina Packer, founder of Shakespeare & Company, whose ground-breaking approach to performing Shakespeare has made her company a...
Shakespeare’s Friends
Shakespeare’s Friends
Taking seriously the commonplace that a man is known by the company he keeps—and particularly by the company he keeps over his lifetime—one can learn more about just about anyone b...
Seventh Regiment Armory Interior first floor interior consisting of the Entrance Hall, the main corridor, the grand Stair Hall and staircase leading to the basement and to the second floor, the Veterans' Room, the Library, the Reception Room, the Board
Seventh Regiment Armory Interior first floor interior consisting of the Entrance Hall, the main corridor, the grand Stair Hall and staircase leading to the basement and to the second floor, the Veterans' Room, the Library, the Reception Room, the Board
New York (N.Y.). Landmarks Preservation Commission...
Shakespeare and Seriality
Shakespeare and Seriality
Encompassing a wide variety of genres, media and art forms across a broad historical scope, this open access book identifies central strategies of serialization in Shakespeare’s pl...
Shakespeare in Elizabethan Costume
Shakespeare in Elizabethan Costume
The meanings originally communicated by Elizabethan and Jacobean dress have long been confined to history. Why, then, have doublets, hose, ruffs and farthingales featured in many S...
Shakespeare in the Light
Shakespeare in the Light
Shakespeare in the Light convenes an accomplished group of scholars, actors, and teachers to celebrate the legacy of renowned Shakespearean and co-founder of the American Shakespea...
Theatre Across Borders
Theatre Across Borders
Is there a fundamental connection between New York's Elevator Repair Service's 9-hour production of The Great Gatsby and a Kathakali performance?
How can we come to appre...

