Javascript must be enabled to continue!
Public Architecture in Ancient Mesoamerica
View through CrossRef
The study of temple-pyramids and other public buildings has long been an important focus in Mesoamerican archaeology. Scholars generally use the term public architecture to refer to structures for use, visitations, and gatherings beyond individual households, but the term public needs to be examined more critically. Public buildings are tied to the formation and transformation of the public sphere, a social field shaped in specific historical contexts that enables and restrains the political action of people.
Traditional studies commonly viewed public buildings as reflections of society, political organization, or worldviews. Investigations before the 1960s often focused on the descriptions of public buildings or used them to define cultural areas and traditions. The rise of processual archaeology in the 1960s and 1970s encouraged researchers to examine social processes through the analysis of buildings. Some scholars assumed that the size of public buildings and the labor investments in their constructions reflected the levels of political centralization. At the same time, the symbolic aspect of buildings continued to be an important theme in Mesoamerican archaeology. The underlying assumption was that public buildings, through their shapes and orientations, or associated images and texts, represented worldviews or cosmologies.
While these approaches continue to be common, various Mesoamerican archaeologists have begun to examine the recursive processes in which buildings shaped, and were shaped by, society. In this framework, some scholars focus on people’s actions and perceptions, whereas others view buildings as active agents in social processes. Sensory perceptions, particularly visibility, are examined as critical media, through which the recursive relations between buildings and people unfolded. Construction events are also viewed as critical processes, in which collective identities and social relations are created, negotiated, and transformed. The meanings of buildings still represent an important focus, but instead of searching for fixed, homogeneous meanings, the new theoretical perspectives have urged scholars to analyze how diverse groups negotiated multiple meanings. In the early 21st century, public buildings at archaeological sites continue to be a subject of negotiation among diverse groups, including the governments, descendant communities, archaeologists, developers, and the general public.
Title: Public Architecture in Ancient Mesoamerica
Description:
The study of temple-pyramids and other public buildings has long been an important focus in Mesoamerican archaeology.
Scholars generally use the term public architecture to refer to structures for use, visitations, and gatherings beyond individual households, but the term public needs to be examined more critically.
Public buildings are tied to the formation and transformation of the public sphere, a social field shaped in specific historical contexts that enables and restrains the political action of people.
Traditional studies commonly viewed public buildings as reflections of society, political organization, or worldviews.
Investigations before the 1960s often focused on the descriptions of public buildings or used them to define cultural areas and traditions.
The rise of processual archaeology in the 1960s and 1970s encouraged researchers to examine social processes through the analysis of buildings.
Some scholars assumed that the size of public buildings and the labor investments in their constructions reflected the levels of political centralization.
At the same time, the symbolic aspect of buildings continued to be an important theme in Mesoamerican archaeology.
The underlying assumption was that public buildings, through their shapes and orientations, or associated images and texts, represented worldviews or cosmologies.
While these approaches continue to be common, various Mesoamerican archaeologists have begun to examine the recursive processes in which buildings shaped, and were shaped by, society.
In this framework, some scholars focus on people’s actions and perceptions, whereas others view buildings as active agents in social processes.
Sensory perceptions, particularly visibility, are examined as critical media, through which the recursive relations between buildings and people unfolded.
Construction events are also viewed as critical processes, in which collective identities and social relations are created, negotiated, and transformed.
The meanings of buildings still represent an important focus, but instead of searching for fixed, homogeneous meanings, the new theoretical perspectives have urged scholars to analyze how diverse groups negotiated multiple meanings.
In the early 21st century, public buildings at archaeological sites continue to be a subject of negotiation among diverse groups, including the governments, descendant communities, archaeologists, developers, and the general public.
Related Results
The architecture of differences
The architecture of differences
Following in the footsteps of the protagonists of the Italian architectural debate is a mark of culture and proactivity. The synthesis deriving from the artistic-humanistic factors...
Architecture between heteronomy and self-generation
Architecture between heteronomy and self-generation
Introduction
«I have never worked in the technocratic exaltation, solving a constructive problem and that’s it. I’ve always tried to interpret the space of human life» (Vitto...
Seditious Spaces
Seditious Spaces
The title ‘Seditious Spaces’ is derived from one aspect of Britain’s colonial legacy in Malaysia (formerly Malaya): the Sedition Act 1948. While colonial rule may seem like it was ...
Kievan Rus’
Kievan Rus’
Robert Ousterhout, the author of a magnificent book “Eastern Medieval Architecture. The Building Traditions of Bizantium and Neighboring Lands”, published by Oxford University Pres...
Proyectos arquitectónicos de posibles ciudades VS el proceso urbano: proyectar el espacio público a través del cine.
Proyectos arquitectónicos de posibles ciudades VS el proceso urbano: proyectar el espacio público a través del cine.
El objeto de investigación de este trabajo es el espacio público de la ciudad cinematográfica. Mediante la cinematografía alcanzar su objetivo que es, intentar comprender la relaci...
Public Art and Religion in America
Public Art and Religion in America
Public art in the United States has a long and complicated history through which nationalism and public monuments have often been intertwined. The most prominent public art forms h...
Dialogue of forms of European style and folk traditions baroque in Ukrainian sacred architecture
Dialogue of forms of European style and folk traditions baroque in Ukrainian sacred architecture
The article deals with the history of the study of the Ukrainian Baroque phenomenon. The dialogicity of the architectural forms of individual stylistic directions and currents of t...
WHAT AND WHERE IS OLMEC STYLE? Regional perspectives
on hollow figurines in Early Formative Mesoamerica
WHAT AND WHERE IS OLMEC STYLE? Regional perspectives
on hollow figurines in Early Formative Mesoamerica
To understand better the significance of the Olmec style and
its implications for Early Formative interregional interaction
within Mesoamerica, one particular type of artifact—th...

