“Minha verdade”: O feminismo negro de Dona Ivone Lara

This article discusses the trajectory of Dona Ivone Lara, highlighting her black femininity. It is argued that her participation in the universe of the Império Serrano samba school and later her projection into the music market were built from her own particular ethics of black feminism. Without being explicitly militant, she developed a kind of conservative approach to the roles historically assigned to women, through which the artist Dona Ivone Lara has transcended limits and barriers, articulating blackness and femininity.