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John Sangster's The Lord of the Rings, Vols. 1-3
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A study of John Sangster’s jazz suite Lord of the Rings contextualized with biographical and cultural studies of the composer in the 1970s.
At more than 6 LP recordings, the Lord of the Rings suite, produced during the 1970s, based on the Tolkien books, is the most ambitious, stylistically and emotionally wide-ranging compositional oeuvre ever undertaken in Australian jazz. Its composer (and one of its performers) John Sangster, followed a career from to late 1940s to his death in 1995 that embraced the entire historical spectrum of jazz styles from traditional to the avant-garde, through performance, recording and film/TV music. One of the most complex figures in Australian music, in both temperament and musical style he ranged across the full spectrum from light to darkness, idolized by his colleagues, yet susceptible to (literally) homicidal rage. Nothing in the recording history of Australian jazz, and perhaps Australian music in general, matches the monumental stature of this suite, which he called his musical autobiography
Title: John Sangster's The Lord of the Rings, Vols. 1-3
Description:
A study of John Sangster’s jazz suite Lord of the Rings contextualized with biographical and cultural studies of the composer in the 1970s.
At more than 6 LP recordings, the Lord of the Rings suite, produced during the 1970s, based on the Tolkien books, is the most ambitious, stylistically and emotionally wide-ranging compositional oeuvre ever undertaken in Australian jazz.
Its composer (and one of its performers) John Sangster, followed a career from to late 1940s to his death in 1995 that embraced the entire historical spectrum of jazz styles from traditional to the avant-garde, through performance, recording and film/TV music.
One of the most complex figures in Australian music, in both temperament and musical style he ranged across the full spectrum from light to darkness, idolized by his colleagues, yet susceptible to (literally) homicidal rage.
Nothing in the recording history of Australian jazz, and perhaps Australian music in general, matches the monumental stature of this suite, which he called his musical autobiography.
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