Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

How to Read the Word for Lazarus Resurrection? On the Question of Old Russian Myth-Making and Religious Imagination in the Slavic Medieval Apocrypha World

View through CrossRef
The article sets the task of investigating, using the example of the apocryphal Word for Lazarus Resurrection, some of the features of old Russian myth-making and the manifestation of religious imagination reflected in the Slavic medieval apocrypha. For this, the concept of “divine sight” is introduced, which goes back to the principle of the image described by P. Florensky and called ‘the eyes of God’. In addition, the proposed article suggests that Old Russian Word for Lazarus Resurrection has a connection with ancient literature. The article is divided into three parts. To substantiate the proposed assumptions, the first part of the article is devoted to an overview of the history of the study of this apocryphal work before A.S. Nikolaev (a researcher of our time), who emphasizes the connection between the Word for Lazarus Resurrection with the Indo-European root. To substantiate the application of the “divine sight” technique in the analysis of a literary work, in the second part of the article, we will consider the cultural soil of the ancient Christian apocrypha. Further, on the basis of the first two parts in the third part, using the concept of “divine sight,” we will analyze the drama of the Word for Lazarus Resurrection.
А.M. Gorky Institute of World Literature of the Russian Academy of Sciences
Title: How to Read the Word for Lazarus Resurrection? On the Question of Old Russian Myth-Making and Religious Imagination in the Slavic Medieval Apocrypha World
Description:
The article sets the task of investigating, using the example of the apocryphal Word for Lazarus Resurrection, some of the features of old Russian myth-making and the manifestation of religious imagination reflected in the Slavic medieval apocrypha.
For this, the concept of “divine sight” is introduced, which goes back to the principle of the image described by P.
Florensky and called ‘the eyes of God’.
In addition, the proposed article suggests that Old Russian Word for Lazarus Resurrection has a connection with ancient literature.
The article is divided into three parts.
To substantiate the proposed assumptions, the first part of the article is devoted to an overview of the history of the study of this apocryphal work before A.
S.
Nikolaev (a researcher of our time), who emphasizes the connection between the Word for Lazarus Resurrection with the Indo-European root.
To substantiate the application of the “divine sight” technique in the analysis of a literary work, in the second part of the article, we will consider the cultural soil of the ancient Christian apocrypha.
Further, on the basis of the first two parts in the third part, using the concept of “divine sight,” we will analyze the drama of the Word for Lazarus Resurrection.

Related Results

Kritik Mitos Tentang “Hang Tuah” Karya Amir Hamzah
Kritik Mitos Tentang “Hang Tuah” Karya Amir Hamzah
This study reveals the myth criticism on rhyme "Hang Tuah", an Amir Hamzah’s work expressing Malay myth. The Malay myth found in the rhyme "Hang Tuah" is placed as a meeting place ...
Language of Ukrainian Apocrypha as a Cultural Code
Language of Ukrainian Apocrypha as a Cultural Code
The purpose of the article is to reveal the communicative aspect of apocrypha recoding in the field of Ukrainian culture. The research methodology. According to the research strate...
The Significance of Jesus’ Resurrection in the Gospel of John
The Significance of Jesus’ Resurrection in the Gospel of John
The resurrection of Jesus Christ is the decisive climax of John’s testimony that Jesus is the “Son of God.” There would not have been a resurrection if there had been no death, but...
THE ITALIAN-STYLE AL FRESCO PAINTING THE RESURRECTION OF CHRIST IN I. S. TURGENEV’S FATHERS AND CHILDREN
THE ITALIAN-STYLE AL FRESCO PAINTING THE RESURRECTION OF CHRIST IN I. S. TURGENEV’S FATHERS AND CHILDREN
The article focuses on the unsolved mystery of the novel by I. S. Turgenev Fathers and Children — the Italian-style al fresco painting The Resurrection of Christ, located above the...
The Image of Russia in Beat Culture
The Image of Russia in Beat Culture
The article deals with one of the most important unofficial imperial symbols of Russia - the Russian bayonet. For quite a long historical period, 1790-1945, the bayonet remained a ...
Semantics of Lermontov's poetic myth about the Demon in The Islanders by N.S. Leskov
Semantics of Lermontov's poetic myth about the Demon in The Islanders by N.S. Leskov
The subject of the study is the negative-evaluative, satirical layers of the novel "The Islanders" associated with the image of the demonic hero, who, thanks to M.Y. Lermontov, acq...
If I Had Possession over Judgment Day: Augmenting Robert Johnson
If I Had Possession over Judgment Day: Augmenting Robert Johnson
augmentvb [ɔːgˈmɛnt]1. to make or become greater in number, amount, strength, etc.; increase2. Music: to increase (a major or perfect interval) by a semitone (Collins English Dicti...
Računalno potpomognuto usmjeravanje kod dvojezičnih govornika
Računalno potpomognuto usmjeravanje kod dvojezičnih govornika
This thesis investigates whether modern computer models can confirm how people encounter words and then use these findings in didactics. In recent years, computers have been used i...

Back to Top