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An Errant Nymph and an Ex-Evangelist
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This chapter examines Cole Porter's
Nymph Errant
(1933) and
Anything Goes
(1934), situating them within his theatrical development.
Nymph Errant
, adapted from James Laver's novel for Gertrude Lawrence, presents Evangeline Edwards's comic adventures across Europe and the Middle East, where she resists temptation and returns home unchanged. Despite clever numbers like “The Physician” and “Solomon,” later revived by Elizabeth Welch in 1989, the show remains minor Porter, notable more for performance history than integration. By contrast,
Anything Goes
marks Porter's Broadway breakthrough, featuring Ethel Merman, a farcical shipboard plot, and enduring songs such as “I Get a Kick Out of You” and “You're the Top.” Subsequent revivals, revisions, and a diluted film adaptation confirm its durability. Finally, the chapter highlights Porter's mastery of lyrical wit, rhythmic innovation, and musical architecture that defines his legacy.
Title: An Errant Nymph and an Ex-Evangelist
Description:
This chapter examines Cole Porter's
Nymph Errant
(1933) and
Anything Goes
(1934), situating them within his theatrical development.
Nymph Errant
, adapted from James Laver's novel for Gertrude Lawrence, presents Evangeline Edwards's comic adventures across Europe and the Middle East, where she resists temptation and returns home unchanged.
Despite clever numbers like “The Physician” and “Solomon,” later revived by Elizabeth Welch in 1989, the show remains minor Porter, notable more for performance history than integration.
By contrast,
Anything Goes
marks Porter's Broadway breakthrough, featuring Ethel Merman, a farcical shipboard plot, and enduring songs such as “I Get a Kick Out of You” and “You're the Top.
” Subsequent revivals, revisions, and a diluted film adaptation confirm its durability.
Finally, the chapter highlights Porter's mastery of lyrical wit, rhythmic innovation, and musical architecture that defines his legacy.
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