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1 The Repertory
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AbstractHaydn's first quartet, apparently composed during a period of work for Baron Carl Joseph Fürnberg in the mid-1750s, was soon followed by others of its type. Ten in all, the earliest quartets were eventually published in Paris and Amsterdam and are now designated as Opp. “0”, 1, and 2. A fresh wave of inspiration beginning in the late 1760s produced three opus groups (Opp. 9, 17, and 20). The Op. 33 quartets (1781) came after a long hiatus in which Haydn yielded quartet leadership to Parisian and Viennese contemporaries. Focusing more intently on the genre from the mid-1780s on, Haydn produced a series of opus groups (including Opp. 50, 54/55, 64, 71/74, 76, and 77) targeted for an international market of amateurs and connoisseurs, and issued by publishers in London and Paris as well as Vienna. The spurious Op. 3 is now attributed to the Benedictine monk Roman Hofstetter.
Title: 1 The Repertory
Description:
AbstractHaydn's first quartet, apparently composed during a period of work for Baron Carl Joseph Fürnberg in the mid-1750s, was soon followed by others of its type.
Ten in all, the earliest quartets were eventually published in Paris and Amsterdam and are now designated as Opp.
“0”, 1, and 2.
A fresh wave of inspiration beginning in the late 1760s produced three opus groups (Opp.
9, 17, and 20).
The Op.
33 quartets (1781) came after a long hiatus in which Haydn yielded quartet leadership to Parisian and Viennese contemporaries.
Focusing more intently on the genre from the mid-1780s on, Haydn produced a series of opus groups (including Opp.
50, 54/55, 64, 71/74, 76, and 77) targeted for an international market of amateurs and connoisseurs, and issued by publishers in London and Paris as well as Vienna.
The spurious Op.
3 is now attributed to the Benedictine monk Roman Hofstetter.
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