Javascript must be enabled to continue!
INDIVIDUALISM IN THE 1997 ANIMATED FILM ANASTASIA: A LIBERAL FEMINISM PERSPECTIVE
View through CrossRef
This research aims to analyze how Anastasia portrays themes of liberal feminism and individualism. It investigates how the protagonist’s journey embodies feminist ideals of self-discovery, resilience, and the defiance of gender expectations. Grounded in liberal feminist theory, which emphasizes personal autonomy and equality before the law (McMillan, 2009); this study employs qualitative descriptive methods to explore how Anastasia’s narrative reflects these principles. Themes such as identity formation, gender norms, and personal agency are analyzed through the protagonist’s experiences. The analysis reveals that Anastasia challenges traditional gender roles by portraying feminine traits—compassion, resilience, and emotional intelligence—as strengths rather than weaknesses. The protagonist’s journey from orphaned amnesiac to rediscovered princess illustrates themes of empowerment and self-determination within a feminist framework. The film’s depiction of Anastasia’s relationships and challenges underscores the broader feminist discourse on identity and societal expectations. By confronting external pressures and embracing her true self, Anastasia embodies the resilience and agency central to feminist ideals. Through its narrative complexity and thematic depth, Anastasia contributes meaningfully to feminist discourse. It celebrates personal growth; challenges gender stereotypes, and advocates for women’s empowerment. The study concludes with reflections on the enduring relevance of feminist themes in animated media and their impact on audiences.
Universitas Muhammadiyah Lampung
Title: INDIVIDUALISM IN THE 1997 ANIMATED FILM ANASTASIA: A LIBERAL FEMINISM PERSPECTIVE
Description:
This research aims to analyze how Anastasia portrays themes of liberal feminism and individualism.
It investigates how the protagonist’s journey embodies feminist ideals of self-discovery, resilience, and the defiance of gender expectations.
Grounded in liberal feminist theory, which emphasizes personal autonomy and equality before the law (McMillan, 2009); this study employs qualitative descriptive methods to explore how Anastasia’s narrative reflects these principles.
Themes such as identity formation, gender norms, and personal agency are analyzed through the protagonist’s experiences.
The analysis reveals that Anastasia challenges traditional gender roles by portraying feminine traits—compassion, resilience, and emotional intelligence—as strengths rather than weaknesses.
The protagonist’s journey from orphaned amnesiac to rediscovered princess illustrates themes of empowerment and self-determination within a feminist framework.
The film’s depiction of Anastasia’s relationships and challenges underscores the broader feminist discourse on identity and societal expectations.
By confronting external pressures and embracing her true self, Anastasia embodies the resilience and agency central to feminist ideals.
Through its narrative complexity and thematic depth, Anastasia contributes meaningfully to feminist discourse.
It celebrates personal growth; challenges gender stereotypes, and advocates for women’s empowerment.
The study concludes with reflections on the enduring relevance of feminist themes in animated media and their impact on audiences.
Related Results
Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema
Reclaiming the Wasteland: Samson and Delilah and the Historical Perception and Construction of Indigenous Knowledges in Australian Cinema
It was always based on a teenage love story between the two kids. One is a sniffer and one is not. It was designed for Central Australia because we do write these kids off there. N...
Alternative Entrances: Phillip Noyce and Sydney’s Counterculture
Alternative Entrances: Phillip Noyce and Sydney’s Counterculture
Phillip Noyce is one of Australia’s most prominent film makers—a successful feature film director with both iconic Australian narratives and many a Hollywood blockbuster under his ...
The Computer-Animated Film
The Computer-Animated Film
The Computer-Animated Film: Industry, Style and Genre
is the first academic work to examine the genre identity of the computer-animated film, a global phenomeno...
REPRESENTATION OF FEMINISM ON THE CHARACTER OF ENOLA HOLMES IN THE ENOLA HOLMES FILM: JOHN FISKE'S SEMIOTICS ANALYSIS
REPRESENTATION OF FEMINISM ON THE CHARACTER OF ENOLA HOLMES IN THE ENOLA HOLMES FILM: JOHN FISKE'S SEMIOTICS ANALYSIS
Abstract The popularity of film as an object in literary studies creates many adaptations of literary works from the written form into a film. The meaning of the film as a repre...
Transnational Feminism
Transnational Feminism
Transnational feminism developed out of postcolonial and women of color feminisms, both of which critiqued the idea that “sisterhood is global” (see Robin Morgan, Sisterhood is Glo...
Analisis Tindak Tutur Ilokusi dalam Dialog Film Animasi Meraih Mimpi
Analisis Tindak Tutur Ilokusi dalam Dialog Film Animasi Meraih Mimpi
The film Meraih Mimpi is one of the animated films that is the pride of the Indonesian film industry. This film is the first three-dimensional (30) wide-screen animated film in Ind...
Harry Potter, Inc.
Harry Potter, Inc.
Engagement in any capacity with mainstream media since mid-2001 has meant immersion in the cross-platform, multimedia phenomenon of Harry Potter: Muggle outcast; boy wizard; corpor...
Representasi Ideologi Feminisme dalam Film Animasi Encanto: Sebuah Kajian Semiotika
Representasi Ideologi Feminisme dalam Film Animasi Encanto: Sebuah Kajian Semiotika
The animated film Encanto, which told the narrative of a magical Colombian family, introduced a new paradigm in the representation of women in the film industry. The unconventional...

