Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

La voix de Sirène dans Othello

View through CrossRef
From Homer to Ovid, not forgetting Plato, the myth of the Siren is about fabulous monsters whose harmonious voices are gifted with the power to attract and deceive men, seducing them to kill them all the better. This myth finds an echo in Shakespeare’s plays, as the dramatist endows many of his characters with the ability to enchant others through their voices, be it Luciana, Nestor, or even Othello. Indeed, the Moor appears to have all the attributes of the Siren, delighting his listeners’ ears with his rhetorical, poetic and musical voice, the sensuality and ambiguity of which invite the spectator to enter a new acoustic and semantic space. Yet, if Othello’s voice charms its audience, Iago proves to be the real Siren of the play, using his poisonous voice to abuse the Moor’s ear, and thus leading the latter and Desdemona to death.
Title: La voix de Sirène dans Othello
Description:
From Homer to Ovid, not forgetting Plato, the myth of the Siren is about fabulous monsters whose harmonious voices are gifted with the power to attract and deceive men, seducing them to kill them all the better.
This myth finds an echo in Shakespeare’s plays, as the dramatist endows many of his characters with the ability to enchant others through their voices, be it Luciana, Nestor, or even Othello.
Indeed, the Moor appears to have all the attributes of the Siren, delighting his listeners’ ears with his rhetorical, poetic and musical voice, the sensuality and ambiguity of which invite the spectator to enter a new acoustic and semantic space.
Yet, if Othello’s voice charms its audience, Iago proves to be the real Siren of the play, using his poisonous voice to abuse the Moor’s ear, and thus leading the latter and Desdemona to death.

Related Results

Jealousy and Destruction in William Shakespear's Othello
Jealousy and Destruction in William Shakespear's Othello
Othello is honest. He wants to establish an order and peace in the society. He falls in love with a white lady, Desdemona. Despite the discontentment of Desdemona’s father Brobanti...
Reanimating Shakespeare's Othello in Post-Racial America
Reanimating Shakespeare's Othello in Post-Racial America
At the close of Shakespeare’s play, Othello supplicates, “Speak of me as I am,” as Venetians congregate and pass judgment, subsequently pleading that they “nothing extenuate,” leav...
Résumés des conférences JRANF 2021
Résumés des conférences JRANF 2021
able des matières Résumés. 140 Agenda Formation en Radioprotection JRANF 2021 Ouagadougou. 140 RPF 1 Rappel des unités de doses. 140 RPF 2 Risques déterministes et stochastique...
De la poésie à la peinture
De la poésie à la peinture
La poésie et la peinture étaient toujours deux différentes expressions de l’esprit et de l’âme de l’homme qui sont dédiées à présenter absolument chacune à sa façon ce qui était di...
The Emblematic Handkerchief in Othello, and Its Untold Backstory
The Emblematic Handkerchief in Othello, and Its Untold Backstory
ABSTRACT: Early modern emblems intentionally performed aspects of one’s character that elicited curiosity while conveying secret messages, often amorous and at times shared by love...
REGULAR ARTICLES
REGULAR ARTICLES
L. Cowen and C. J. Schwarz       657Les Radio‐tags, en raison de leur détectabilitéélevée, ...
Une Saison en enfer de Gilbert Amy : une lecture musicale d'Arthur Rimbaud
Une Saison en enfer de Gilbert Amy : une lecture musicale d'Arthur Rimbaud
Au sein des musiques électro-acoustiques, l’interprétation n’a pas tout à fait le même sens que dans d’autres musiques. En effet, l’adjonction de caractéristiques inédites aux inst...

Back to Top