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Practice Calligraphy (Siah Mashkh)
View through Harvard Museums
This is a fine example of a practice sheet of islami. Difficult to decipher, the text contains phrases of Persian poetry expressing conventional sentiments about romantic suffering. The bold strokes of the calligraphy contrast with the delicate floral ornamentation that surrounds it.
The work is unsigned, and the attribution to Firuz Mirza Nusrat al-Dawla I (Firouz Mirza Nosret-ed-Dowleh I) comes from the donor, Afsaneh Firouz-Ardalan. The donor, who served as Calderwood Intern at HUAM during the years 2001 - 2003, is a descendant of the artist.
Department of Islamic & Later Indian Art
Afsaneh Firouz Brookline MA Purchased from Firouz Firouz 2005 gave to HUAM 2006 2006. Purchased from her brother Firouz Firouz in 2005
Firouz Firouz sold to Afsaneh Firouz 2005. Sold in 2005 to Afsaneh Firouz
Harvard Art Museums/Arthur M. Sackler Museum Gift in honor of Mr. Shahroukh Firouz
Title: Practice Calligraphy (Siah Mashkh)
Description:
This is a fine example of a practice sheet of islami.
Difficult to decipher, the text contains phrases of Persian poetry expressing conventional sentiments about romantic suffering.
The bold strokes of the calligraphy contrast with the delicate floral ornamentation that surrounds it.
The work is unsigned, and the attribution to Firuz Mirza Nusrat al-Dawla I (Firouz Mirza Nosret-ed-Dowleh I) comes from the donor, Afsaneh Firouz-Ardalan.
The donor, who served as Calderwood Intern at HUAM during the years 2001 - 2003, is a descendant of the artist.
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