Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

“A subject dead is not worth presenting”: Cromwell, the Past, and the Haunting of Thomas Carlyle

View through CrossRef
This essay examines Thomas Carlyle’s painful struggle to write a book on Oliver Cromwell and the Puritan era in the years 1838 to 1845, and seeks to discover why this otherwise prolific author found it so difficult to produce a history of the man who occupied the central place in his pantheon of heroes. It does so by examining his metaphoric conception of the past as a body that could, if treated correctly by the historian, be presented “alive” rather than “dead,” and his feeling that the past and the voices of its “dead heroes” were haunting him like ghosts. The metaphoric construction and progress of this haunting is explored using critical approaches derived from Jacques Derrida and Paul de Man. By placing Carlyle’s crisis of authorship in conversation with these thinkers, I attempt to cast a new light on his relationship to the past and his sense of the difficulties involved in giving voice to the dead. It was only through a subjugation of his own authorial voice to that of his dead subject that Carlyle was able to bring an end to the haunting that had threatened to silence him in the early 1840s.
Title: “A subject dead is not worth presenting”: Cromwell, the Past, and the Haunting of Thomas Carlyle
Description:
This essay examines Thomas Carlyle’s painful struggle to write a book on Oliver Cromwell and the Puritan era in the years 1838 to 1845, and seeks to discover why this otherwise prolific author found it so difficult to produce a history of the man who occupied the central place in his pantheon of heroes.
It does so by examining his metaphoric conception of the past as a body that could, if treated correctly by the historian, be presented “alive” rather than “dead,” and his feeling that the past and the voices of its “dead heroes” were haunting him like ghosts.
The metaphoric construction and progress of this haunting is explored using critical approaches derived from Jacques Derrida and Paul de Man.
By placing Carlyle’s crisis of authorship in conversation with these thinkers, I attempt to cast a new light on his relationship to the past and his sense of the difficulties involved in giving voice to the dead.
It was only through a subjugation of his own authorial voice to that of his dead subject that Carlyle was able to bring an end to the haunting that had threatened to silence him in the early 1840s.

Related Results

THOMAS CARLYLE'S GOETHE MASK REVISITED
THOMAS CARLYLE'S GOETHE MASK REVISITED
ABSTRACT Thomas Carlyle's copy of a life mask of Goethe is one of the most significant Goethe masks outside Germany, particularly because it is a testimony to Carlyle's role in dev...
A Plea for Doubt in the Subjectivity of Method
A Plea for Doubt in the Subjectivity of Method
      Photograph by Gonzalo Echeverria (2010)Doubt has been my closest companion for several years as I struggle to make sense of certain hidden events from within my family’s hist...
Tudor History, the City and the Marginalised in Hilary Mantel’s Wolf Hall
Tudor History, the City and the Marginalised in Hilary Mantel’s Wolf Hall
Following its Man Booker Prize in 2009, Hilary Mantel’s Wolf Hall has gained a cult status in literature and cemented her position as one of the leading contemporary novelists in B...
Thomas Carlyle and Stoicism
Thomas Carlyle and Stoicism
AbstractRecent studies have pointed to the importance of Thomas Carlyle’s engagement with classical thought, especially Epicureanism and Cynicism. However, in these recent studies,...
‘Still but an Essayist’: Carlyle’s Early Essays and Late-Romantic Periodical Culture
‘Still but an Essayist’: Carlyle’s Early Essays and Late-Romantic Periodical Culture
This chapter pursues a critical reassessment of Thomas Carlyle’s 1820s writings and their participation in the periodical culture and literary marketplace of the time. Well before ...
A dispute over the philosophy of clothes. Cyprian Norwid versus Thomas Carlyle
A dispute over the philosophy of clothes. Cyprian Norwid versus Thomas Carlyle
Cyprian Norwid’s attitude to the philosophy of clothes developed by Thomas Carlyle in Sartor Resartus may indeed be perceived only as an object of speculation, but undoubtedly the ...
‘Transatlantic Bibliopoly’: Carlyle’s Early American Print Career
‘Transatlantic Bibliopoly’: Carlyle’s Early American Print Career
This chapter deals with the American reprinting of Carlyle’s books from Sartor Resartus (1833–34) to Oliver Cromwell’s Letters and Speeches (1845). It draws on a rich body of archi...
Thomas Carlyle, Scotland’s Migrant Philosophers, and Australasian Idealism
Thomas Carlyle, Scotland’s Migrant Philosophers, and Australasian Idealism
Abstract That the great Scottish man of letters Thomas Carlyle (1795–1881) exercised a formative influence over late-nineteenth and early-twentieth-century ‘British ...

Back to Top