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Small Ovoid Jar with Partridge-Feather Mottles

View through Harvard Museums
This ovoid jar sports a lustrous black glaze enlivened with russet splashes. Of thinly potted form, the jar is surmounted by a short, upright neck with an unglazed rim around the wide mouth. (The unglazed lip indicates that the jar originally had a cover, now lost, which would have been fired in place.) The jar is covered inside and out with a lustrous, dark brown glaze that appears black in reflected light. Randomly applied splashes of matte russet-brown slip enliven the dark glaze, the splashes running downward and shading to iridescent green tones at the margins; since Song times, Chinese connoisseurs have termed the type of mottles that embellish this piece "partridge feather decoration." The well-controlled glaze ends in an even line well short of the high, lightly splayed foot, exposing the light gray stoneware body on the lower portion of the piece; the exposed body clay assumed a pale buff skin in firing.
Department of Asian Art J.J. Lally & Co. New York (March-April 2009) Dr. and Mrs. Marvin L. Gordon Collection San Francisco (1985-2009) Sotheby's London 10 December 1985 lot 149 (1985) Frederick Knight London (1972-1985) Bluett & Sons London (1972) Professor Postan and Lady Cynthia Postan London (1940s-1972) Harvard Art Museums/Arthur M. Sackler Museum Purchase through the generosity of Alan J. and Suzanne W. Dworsky and of the Ralph C. Marcove International Understanding Through Arts and Crafts Foundation Inc.
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Title: Small Ovoid Jar with Partridge-Feather Mottles
Description:
This ovoid jar sports a lustrous black glaze enlivened with russet splashes.
Of thinly potted form, the jar is surmounted by a short, upright neck with an unglazed rim around the wide mouth.
(The unglazed lip indicates that the jar originally had a cover, now lost, which would have been fired in place.
) The jar is covered inside and out with a lustrous, dark brown glaze that appears black in reflected light.
Randomly applied splashes of matte russet-brown slip enliven the dark glaze, the splashes running downward and shading to iridescent green tones at the margins; since Song times, Chinese connoisseurs have termed the type of mottles that embellish this piece "partridge feather decoration.
" The well-controlled glaze ends in an even line well short of the high, lightly splayed foot, exposing the light gray stoneware body on the lower portion of the piece; the exposed body clay assumed a pale buff skin in firing.

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