Movement of Organic Form (recto) || Abstract composition (verso)

The image of a new organism, which is the body of the Earth, is shown on the surface of the painting. Many curved and vibrating elements are glued together in an organic form of the Earth's flesh. The energy of the wandering form creates the impression of movement, the flight of space. The blue crossed spirals emphasize the vastness of space. Ender wrote that "he was interested in the movement that is latent but inevitable in all forms of life." The peculiarities of Ender's style, who could combine the infinity of space with the unity of organic form, are perceptible. Matiushin's School gave its best results in the 1920s. The non-objective principles and properties of his theory, so different from those of Suprematism, took shape through the works of Enders and himself. The curved line, rather than the straight line, became the basis of the visual structure of his work, and color was used in accordance with the organic laws of nature. These lines were the model for his creation, which was not intended to copy nature, but to convey, with the help of visual media, the "gestures" of nature on canvas. For Matiushin, the painted surface is part of nature, and the elements that compose it - texture, colour, pattern - function according to the rules that govern it.