Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

A loudspeaker-driven clarinet for educational purpose

View through CrossRef
This paper describes a toy device, namely an electroacoustic clarinet, which was designed for educational purposes. It consists of a loudspeaker connected through a cavity to a duct drilled with several side holes. Unlike what happens in a clarinet where the emitted sound is caused by the motion of a reed and the blowing of a musician, the present system is excited by the loudspeaker through a positive feedback mechanism giving rise to self-oscillations. This feedback is achieved by placing a microphone in the cavity, and connecting it to the loudspeaker through an audio amplifier. It is shown that, by adjusting the gain of the amplifier and by opening/closing the side holes to control the pitch of the emitted sound, the system can spontaneously play all the notes of a scale. The dynamics of the system beyond the threshold of self-oscillations is also studied both experimentally and theoretically. This simple system can be easily reproduced with minimum equipment and it may have some merits for educational purpose, because its understanding requires some basic knowledge of electroacoustics, guided wave theory and nonlinear dynamics.
Title: A loudspeaker-driven clarinet for educational purpose
Description:
This paper describes a toy device, namely an electroacoustic clarinet, which was designed for educational purposes.
It consists of a loudspeaker connected through a cavity to a duct drilled with several side holes.
Unlike what happens in a clarinet where the emitted sound is caused by the motion of a reed and the blowing of a musician, the present system is excited by the loudspeaker through a positive feedback mechanism giving rise to self-oscillations.
This feedback is achieved by placing a microphone in the cavity, and connecting it to the loudspeaker through an audio amplifier.
It is shown that, by adjusting the gain of the amplifier and by opening/closing the side holes to control the pitch of the emitted sound, the system can spontaneously play all the notes of a scale.
The dynamics of the system beyond the threshold of self-oscillations is also studied both experimentally and theoretically.
This simple system can be easily reproduced with minimum equipment and it may have some merits for educational purpose, because its understanding requires some basic knowledge of electroacoustics, guided wave theory and nonlinear dynamics.

Related Results

Emancipation of the Clarinet (1720-1760)
Emancipation of the Clarinet (1720-1760)
Name: Adrianna van Leeuwen-Steghaus Main Subject: Historical Clarinet Research Supervisor: Inês de Avena Braga Title of Research: Emancipation of the Clarinet 1720-1760 The tra...
The Baroque Clarinet and Chalumeau
The Baroque Clarinet and Chalumeau
Abstract The second edition of The Baroque Clarinet (1992) is a history of the clarinet and chalumeau from antiquity to 1760 in six chapters: “Origins of the Chalume...
The Clarinet
The Clarinet
Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera,...
The Clarinet
The Clarinet
Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera,...
Antonio Casimir Cartellieri: a forgotten master at the Viennese Court
Antonio Casimir Cartellieri: a forgotten master at the Viennese Court
The solo clarinet compositions of Antonio Casimir Cartellieri (1772-1807) are comparatively unknown in these days, although during his lifetime his works were widely acclaimed in t...
speaker performance on sports performance -Behavior analysis using OpenPose
speaker performance on sports performance -Behavior analysis using OpenPose
Most of the sound quality evaluation methods for loudspeaker are based on physical evaluation and subjective evaluation. In the physical evaluation, we focus on the peak sound pres...
Origins
Origins
Abstract The word ‘clarinet’ was classified by Hornbostel and Sachs (1914) as a generic term for all pipes, usually made of cane, in which the sound is produced thro...

Back to Top