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Brave Minds and Hard Hands

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This chapter focuses upon a small but significant subgenre of dramatic work produced in the 1590s: a set of plays, including 2 Henry VI and Jack Straw, that represented plebeian rebellion and its causes. Sketching the period’s harrowing conditions for the poor, it brings to these plays the evidence of archives concerning contemporary politics and protest. With rich historical contextualization, it traces in these dramas the sustained protests of poorer commoners, against hunger, social contempt from the elite, and the fate of infinite physical drudgery. It demonstrates the period accuracy of both Shakespeare’s language of plebeian protest, and his presentation of contemporary artisans as a dangerous class, as it tracks the widespread animus against the gentry, the indictment of ruthless economic individualism, the egalitarian thematic, and the late-century nostalgia for life before the Reformation.
Oxford University Press
Title: Brave Minds and Hard Hands
Description:
This chapter focuses upon a small but significant subgenre of dramatic work produced in the 1590s: a set of plays, including 2 Henry VI and Jack Straw, that represented plebeian rebellion and its causes.
Sketching the period’s harrowing conditions for the poor, it brings to these plays the evidence of archives concerning contemporary politics and protest.
With rich historical contextualization, it traces in these dramas the sustained protests of poorer commoners, against hunger, social contempt from the elite, and the fate of infinite physical drudgery.
It demonstrates the period accuracy of both Shakespeare’s language of plebeian protest, and his presentation of contemporary artisans as a dangerous class, as it tracks the widespread animus against the gentry, the indictment of ruthless economic individualism, the egalitarian thematic, and the late-century nostalgia for life before the Reformation.

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