Javascript must be enabled to continue!
Picaresque and Rogue Fiction
View through CrossRef
This chapter studies picaresque and rogue fiction. Though produced in vast quantities, and always entertaining, rogue fiction has rarely been more than a sideshow in serious histories of the novel. At most, fiction scholars acknowledged old stories of thieves and con artists as early attempts at realism. Recent interest in poverty, the justice system, prostitution, and criminal subcultures has led scholars to troves of such texts, but hundreds more have no modern readers. Two categories remain especially neglected: translated rogue literature, so long sidelined by the requirements of national literary history; and the general category of seventeenth-century fiction. Hence this chapter focuses on the two monstrous and forgotten bestsellers of these years, James Mabbe's translation of Guzmán de Alfarache (1622) and Richard Head and Francis Kirkman's The English Rogue (1665–71).
Title: Picaresque and Rogue Fiction
Description:
This chapter studies picaresque and rogue fiction.
Though produced in vast quantities, and always entertaining, rogue fiction has rarely been more than a sideshow in serious histories of the novel.
At most, fiction scholars acknowledged old stories of thieves and con artists as early attempts at realism.
Recent interest in poverty, the justice system, prostitution, and criminal subcultures has led scholars to troves of such texts, but hundreds more have no modern readers.
Two categories remain especially neglected: translated rogue literature, so long sidelined by the requirements of national literary history; and the general category of seventeenth-century fiction.
Hence this chapter focuses on the two monstrous and forgotten bestsellers of these years, James Mabbe's translation of Guzmán de Alfarache (1622) and Richard Head and Francis Kirkman's The English Rogue (1665–71).
Related Results
Contemporary American Fiction
Contemporary American Fiction
Abstract
Contemporary American Fiction provides an introduction to American fiction since 1970. Offering substantial and detailed interpretations of more than thirty...
Faith and Fiction
Faith and Fiction
In recent years, there has been an explosion in the market for fiction on religious topics and themes, most notably Dan Brown'sThe Da Vinci Code. The variety of contemporary religi...
Science Fiction and the Imitation of the Sacred
Science Fiction and the Imitation of the Sacred
This book examines science fiction’s relationship to religion and the sacred through the lens of significant books, films, and television shows. It provides a clear account of the ...
Fiction in the Magazines
Fiction in the Magazines
This chapter focuses on magazine fiction. Magazine fiction before 1820 has been viewed as irredeemably derivative and ephemeral. Notions of the canon, however, are now wider than t...
Voices from the Radium Age
Voices from the Radium Age
A collection of science fiction stories from the early twentieth century by authors ranging from Arthur Conan Doyle to W. E. B. Du Bois.
This collection of science f...
Transrealist Fiction
Transrealist Fiction
Transrealist writing treats immediate perceptions in a fantastic way, according to science fiction writer and mathematician Rudy Rucker, who originated the term. In the expanded se...
Stephen King
Stephen King
One of the most prolific and popular contemporary novelists, Stephen King has a devoted following of captivated readers. This is the first critical work on King to examine his most...
John Irving
John Irving
One of America's most noted contemporary novelists, John Irving has created a body of fiction of extraordinary range, moving with ease from romance to fairytale to thriller. Althou...

