Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Hera in Sappho, fr. 17 L-P, V—and Aeneid I?

View through CrossRef
AbstractIn current commentaries and translations, the first stanza of Sappho fr. 17 is read as a prayer for Hera's presence. This understanding was created by modifying Wilamowitz's interpretation of the fragment as a dream narrative, but it depends on an improbable use of the opening word πλασιον involves an awkward third-person periphrasis for the second-person appeal, and creates insoluble difficulties of supplementation and usage in the third line. It is more fruitful to read the stanza as a deprecation of the god's anger, as in fr. 1.1-4; a suggested reading of χαλεπην ϑυελλαν (cf.Il. 21.335) gives αραταν a meaning within its normal, somewhat pejorative connotation, and allows a more plausible reconstruction of the end of line 3; attributing the source of the Atridae's distress to Hera is consistent with a number of indications of a narrative pattern in which Hera sends disruptive storms.
Walter de Gruyter GmbH
Title: Hera in Sappho, fr. 17 L-P, V—and Aeneid I?
Description:
AbstractIn current commentaries and translations, the first stanza of Sappho fr.
17 is read as a prayer for Hera's presence.
This understanding was created by modifying Wilamowitz's interpretation of the fragment as a dream narrative, but it depends on an improbable use of the opening word πλασιον involves an awkward third-person periphrasis for the second-person appeal, and creates insoluble difficulties of supplementation and usage in the third line.
It is more fruitful to read the stanza as a deprecation of the god's anger, as in fr.
1.
1-4; a suggested reading of χαλεπην ϑυελλαν (cf.
Il.
21.
335) gives αραταν a meaning within its normal, somewhat pejorative connotation, and allows a more plausible reconstruction of the end of line 3; attributing the source of the Atridae's distress to Hera is consistent with a number of indications of a narrative pattern in which Hera sends disruptive storms.

Related Results

Introduction
Introduction
Within a framework that shows how Sappho’s reception in antiquity has important implications for Sappho scholarship, our understanding of Roman poetry, and of classical reception s...
Sappho is Worth More Than A Discussion of Her Sexuality
Sappho is Worth More Than A Discussion of Her Sexuality
Previous scholarship has overanalyzed Sappho’s object preference more than her male counterparts. By examining the historiographical analyses of Sappho, as well as the progression ...
Roman Receptions of Sappho
Roman Receptions of Sappho
Sappho, a towering figure in Western culture, is an exemplary case in the history of classical receptions. There are three prominent reasons for this. Firstly, Sappho is associated...
Sappho: Transparency and Obstruction
Sappho: Transparency and Obstruction
A number of issues obstruct our vision of Sappho and her ancient reception. This chapter revisits such obstructions as the loss of Sappho’s poetry, the difficulty of accessing info...
The science return of the ESA Hera mission to the binary asteroid Didymos
The science return of the ESA Hera mission to the binary asteroid Didymos
The Hera mission has been approved for development and launch in the new ESA Space Safety Programme by the ESA Council at Ministerial Level, Space19+, in November 2019. He...
The Hera Milani mission
The Hera Milani mission
Abstract. Hera is the European part of the Asteroid Impact & Deflection Assessment (AIDA) international colaboration with NASA who is responsible for the DART (Double Asteroid ...
Is The Aeneid Relevant to Modern Leadership?
Is The Aeneid Relevant to Modern Leadership?
<p>This thesis explores the Aeneid, Virgil's foundation epic of the Latin canon, from a values-based leadership perspective, which is defined as the moral foundation underlyi...
THE COLOSSUS OF HERA IN ARGOS BY POLYKLEITOS THE ELDER: A RECONSTRUCTION EXPERIENCE
THE COLOSSUS OF HERA IN ARGOS BY POLYKLEITOS THE ELDER: A RECONSTRUCTION EXPERIENCE
The article proposes and substantiates a new graphical reconstruction of the chryselephantine colossus of Hera in Argos, created by Polykleitos the Elder in 400 BC. The combination...

Back to Top