Songs with Consequences?

This chapter focuses on the pragmatics of dohori singing in rural songfests. With a comparative focus on different types of songfest across Nepal’s rural hill areas, it addresses how songfests frame performances in ways that allow for particular pragmatic effects. These are based on forms of ritualized material and musical exchange that idealize the production of equality, yet often still reproduce inequality. It tells the history of dohori as a means of communication across social divides, often with significant material stakes in binding contests that could end in marriage. It discusses dohori’s historical connections with labor exchange and marriage exchange to show how this practice of singing is grounded in ways of producing equality and hierarchy. It gives examples of how binding dohori contests or song duels have been considered threats to the social order and how their outcomes have been reintegrated, changing aspects of individuals’ lives and social relations.