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Tintoretto, Jacopo (1519–1594)
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Abstract
Real name: Robusti. Venetian painter. He received his nickname from his father's profession as cloth dyer (
tintore
). Unlike many of his contemporaries, he painted very few secular subjects. He was practicing as an independent artist by 1539, when he collaborated with others in the creation of
cassone
panels. In his early paintings he used classical backgrounds. He also used unusual perspectives as in
St. George and the Dragon
(1560),
Christ Washing the Feet of his Disciples
(1547),
The Last Supper
(1592–94), the
Gathering of the Manna
(1592), and the
Entombment of Christ
(1592). In the
Last Supper
the table is placed cornerwise while the apostles stretch away from Christ. In the early 1560s Tintoretto began his choir paintings, including the
Last Judgment
at the Church of the Madonna dell'Orto. At about the same time he was commissioned to produce three large paintings for the Scuola Grande di S. Marco:
The Removal of the Body of St. Mark from the Funeral Pyre
,
The Finding of the Body of St. Mark
, and
St. Mark Saving the Saracen from Shipwreck
.
Title: Tintoretto, Jacopo (1519–1594)
Description:
Abstract
Real name: Robusti.
Venetian painter.
He received his nickname from his father's profession as cloth dyer (
tintore
).
Unlike many of his contemporaries, he painted very few secular subjects.
He was practicing as an independent artist by 1539, when he collaborated with others in the creation of
cassone
panels.
In his early paintings he used classical backgrounds.
He also used unusual perspectives as in
St.
George and the Dragon
(1560),
Christ Washing the Feet of his Disciples
(1547),
The Last Supper
(1592–94), the
Gathering of the Manna
(1592), and the
Entombment of Christ
(1592).
In the
Last Supper
the table is placed cornerwise while the apostles stretch away from Christ.
In the early 1560s Tintoretto began his choir paintings, including the
Last Judgment
at the Church of the Madonna dell'Orto.
At about the same time he was commissioned to produce three large paintings for the Scuola Grande di S.
Marco:
The Removal of the Body of St.
Mark from the Funeral Pyre
,
The Finding of the Body of St.
Mark
, and
St.
Mark Saving the Saracen from Shipwreck
.
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