Katherine Bernhardt

This chapter challenges the notion that Sarah Bernhardt mouthed her lines on film due to her inability to act in a fittingly naturalistic way for film, and that her famous “golden ...

This chapter examines the 1912 feature film Queen Elizabeth as a reflection of Sarah Bernhardt's roles in the late nineteenth century and her insistence that these could remain rel...

This chapter describes the recordings of the Shipp family. On May 13, 1939, Luella and her husband John Shipp opened the door of their house to strangers in search of musical infor...

This is the booklet that accompanies the Empowered Journeys exhibition, a co-curated display of artworks and text created by Alexandra Perry, Elizabeth Lydiate, Frankie Vale, Kathe...