Javascript must be enabled to continue!
What was the colour of Athena's Aegis?
View through CrossRef
Abstract:The aegis is Athena's most intimate and widely-discussed attribute, yet one of its vital aspects has so far been largely neglected: its colour. We shall argue that the nature and the role of the aegis and of its bearer are reflected not only in its shape and decoration, but also in its colour and luminosity. As with Athena'sglaukoseyes, the key to chromatic characterization and meaning lies in brightness rather than hue. Most often in literature and art, Athena's aegis is characterized by a yellow or gold reminiscent of the gleam of the sun or of metal, which expresses a general divine gleaming brightness but also Athena's specificcharis, namely the beauty, vitality and sparkling (or cunning) attractiveness that she can bestow on mortals under her protection. The dark or even black aegis (kyanaigisormelanaigis), by contrast, expresses the dark, wrathful and furious side of the goddess. Brightly shimmering or darkly obscuring, the aegis refers to Athena's protective, yet also potentially destructive, power. Its variable characterization in terms of ‘colour language’ constituted one tool among the many that were available to the Greeks for the construction of her divine personality.
Title: What was the colour of Athena's Aegis?
Description:
Abstract:The aegis is Athena's most intimate and widely-discussed attribute, yet one of its vital aspects has so far been largely neglected: its colour.
We shall argue that the nature and the role of the aegis and of its bearer are reflected not only in its shape and decoration, but also in its colour and luminosity.
As with Athena'sglaukoseyes, the key to chromatic characterization and meaning lies in brightness rather than hue.
Most often in literature and art, Athena's aegis is characterized by a yellow or gold reminiscent of the gleam of the sun or of metal, which expresses a general divine gleaming brightness but also Athena's specificcharis, namely the beauty, vitality and sparkling (or cunning) attractiveness that she can bestow on mortals under her protection.
The dark or even black aegis (kyanaigisormelanaigis), by contrast, expresses the dark, wrathful and furious side of the goddess.
Brightly shimmering or darkly obscuring, the aegis refers to Athena's protective, yet also potentially destructive, power.
Its variable characterization in terms of ‘colour language’ constituted one tool among the many that were available to the Greeks for the construction of her divine personality.
Related Results
COLOUR PERCEPTION SYSTEM FOR PRIMARY COLOURS IN PRINTING
COLOUR PERCEPTION SYSTEM FOR PRIMARY COLOURS IN PRINTING
The current colour system for printing specifies colours using percentages of dot areas of each primary colour, i.e. cyan, magenta, yellow and black. However, this system does not ...
Colour Printing in the Uttermost Part of the Sea: a Study of the Colour Print Products, Printers, Technology and Markets in New Zealand, 1830-1914
Colour Printing in the Uttermost Part of the Sea: a Study of the Colour Print Products, Printers, Technology and Markets in New Zealand, 1830-1914
<p>This thesis is an historical study of the development and the relationships between some aspects of colour printing in New Zealand from 1830 to 1914, including the practit...
The relationship between colour harmony and colour emotions—using two‐colour combinations applied on 3D colour configuration
The relationship between colour harmony and colour emotions—using two‐colour combinations applied on 3D colour configuration
AbstractBoth studies on colour emotion and colour harmony have been developed for many years. For designers, creating harmonious colour combinations that satisfy specific colour em...
The Blue Beret
The Blue Beret
When we think of United Nations (UN) peacekeepers, the first image that is conjured in our mind is of an individual sporting a blue helmet or a blue beret (fig. 1). While simple an...
ATHENA’NIN OYU YA DA OYUNU
ATHENA’NIN OYU YA DA OYUNU
Areopagos mahkemesinde, Orestes’in davasına bakan yargıçlar oylarını sessizce kullandıkları halde, Athena oyunu Orestes’ten yana kullanacağını beyan eder. Fakat Oresteia’nın doruk ...
Colour variation without objective colour
Colour variation without objective colour
Colour variation is the fact that what colour physical objects look to have depends on viewing conditions and a perceiver’s visual system. Both Colour Relationalists and Colour Eli...
Changes of colour appearance due to changes of shape of colour sample and background colour
Changes of colour appearance due to changes of shape of colour sample and background colour
Background is one of the important factors that affect colour appearance of samples. In general, a background colour induces colour appearance of a sample to shift towards the comp...
Colour image segmentation using perceptual colour difference saliency algorithm
Colour image segmentation using perceptual colour difference saliency algorithm
The topic of colour image segmentation has been and still is a hot issue in areas such as computer vision and image processing because of its wide range of practical applications. ...

