Javascript must be enabled to continue!
Pradyumna and His Foundation Narrative in the Critical Text Harivaṃśa
View through CrossRef
Abstract
Chapter 3 turns to the Harivaṃśa’s foundational episode of Pradyumna’s birth. As soon as Pradyumna is born, the demon Śambara abducts him and gives him to his wife Māyāvatī to raise as her own son. Māyāvatī approaches Pradyumna sexually once he is fully grown, explaining that she is not his mother; Pradyumna slays Śambara, accepts Māyāvatī as a love partner, and returns to his real family, where Kṛṣṇa identifies him as the rebirth of Kāmadeva, the God of Love. The episode is examined through a number of lenses, particularly a set of gendered premises on the nature of women and certain social-sexual dynamics of South Asian families. In sum, it is argued that the Harivaṃśa birth narrative constructs Pradyumna as a vaṃśa-vīra, or “lineage-hero,” a champion whose sexual virility and beauty, military power and resilience against the forces of infant mortality make him a champion of his father’s ancestral line.
Title: Pradyumna and His Foundation Narrative in the Critical Text Harivaṃśa
Description:
Abstract
Chapter 3 turns to the Harivaṃśa’s foundational episode of Pradyumna’s birth.
As soon as Pradyumna is born, the demon Śambara abducts him and gives him to his wife Māyāvatī to raise as her own son.
Māyāvatī approaches Pradyumna sexually once he is fully grown, explaining that she is not his mother; Pradyumna slays Śambara, accepts Māyāvatī as a love partner, and returns to his real family, where Kṛṣṇa identifies him as the rebirth of Kāmadeva, the God of Love.
The episode is examined through a number of lenses, particularly a set of gendered premises on the nature of women and certain social-sexual dynamics of South Asian families.
In sum, it is argued that the Harivaṃśa birth narrative constructs Pradyumna as a vaṃśa-vīra, or “lineage-hero,” a champion whose sexual virility and beauty, military power and resilience against the forces of infant mortality make him a champion of his father’s ancestral line.
Related Results
E-Press and Oppress
E-Press and Oppress
From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a te...
Pradyumna-Kāmadeva in the Major Vaiṣṇava Purāṇas
Pradyumna-Kāmadeva in the Major Vaiṣṇava Purāṇas
Abstract
Chapter 4 documents Pradyumna’s changing identity and significance in the context of the evolving Vaiṣṇava tradition, chiefly through an analysis of the abd...
On Flores Island, do "ape-men" still exist? https://www.sapiens.org/biology/flores-island-ape-men/
On Flores Island, do "ape-men" still exist? https://www.sapiens.org/biology/flores-island-ape-men/
<span style="font-size:11pt"><span style="background:#f9f9f4"><span style="line-height:normal"><span style="font-family:Calibri,sans-serif"><b><spa...
Introduction
Introduction
Abstract
This chapter presents to the reader the initial and rudimentary facts about Kṛṣṇa’s son Pradyumna, and offers a hypothesis on why this figure of Hindu mytho...
A kāvya Casting for Pradyumna
A kāvya Casting for Pradyumna
Abstract
The Pradyumnābhyudaya—a thirteenth-century Sanskrit play by King Ravivarman—is the focus of Chapter 7. This work, based directly on the Prabhāvatī episode o...
Pradyumna in the Mahābhārata
Pradyumna in the Mahābhārata
Abstract
This chapter introduces the earliest extant textual materials concerning Pradyumna in the Mahābhārata, and examines first the Saubhavadhaparvan of Book 3 an...
Double Exposure
Double Exposure
I. Happy Endings
Chaplin’s Modern Times features one of the most subtly strange endings in Hollywood history. It concludes with the Tramp (Chaplin) and the Gamin (Paulette Godda...

