Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Monstrous bodies: Theatrical designs by Salvador Dalí and Leonor Fini

View through CrossRef
Theatrical design is an under-researched area of Surrealist visual culture. This article examines two examples of Surrealist set and costume design, created by Salvador Dalí and Leonor Fini, respectively, through the concept of the monstrous body. Here, ‘monstrous’ refers to the ambiguous body that defies conventional categories. By using the monstrous body to interpret their designs, this article will yield a deeper insight into these artists engagement with the Surrealist challenge to rational conventions of individualism. It will also evidence their own interests in fluid, metamorphic bodies that blur boundaries of the normative human and the ‘Other’.
Title: Monstrous bodies: Theatrical designs by Salvador Dalí and Leonor Fini
Description:
Theatrical design is an under-researched area of Surrealist visual culture.
This article examines two examples of Surrealist set and costume design, created by Salvador Dalí and Leonor Fini, respectively, through the concept of the monstrous body.
Here, ‘monstrous’ refers to the ambiguous body that defies conventional categories.
By using the monstrous body to interpret their designs, this article will yield a deeper insight into these artists engagement with the Surrealist challenge to rational conventions of individualism.
It will also evidence their own interests in fluid, metamorphic bodies that blur boundaries of the normative human and the ‘Other’.

Related Results

Cute and Monstrous Furbys in Online Fan Production
Cute and Monstrous Furbys in Online Fan Production
Image 1: Hasbro/Tiger Electronics 1998 Furby. (Photo credit: Author) Introduction Since the mid-1990s robotic and digital creatures designed to offer social interaction and compa...
Paranoia from Salvador Dali to Jacques Lacan
Paranoia from Salvador Dali to Jacques Lacan
In his short 1933 article commenting on Lacan’s treatise on paranoia, the reconciliatory surrealist René Crevel posed the following question: “Consciousness, thesis. The unconsciou...
Always different?: exploring the monstrous-feminine and maternal embodiment in organisation
Always different?: exploring the monstrous-feminine and maternal embodiment in organisation
Purpose– The purpose of this paper is to problematise the notion of woman-as-monster and draws together a conceptual analysis of the monstrous-feminine and its relation to maternal...
Local perceptions on the impact of tourism development on Bai culture in Dali old town of Dali Bai autonomous prefecture, Yunnan, China
Local perceptions on the impact of tourism development on Bai culture in Dali old town of Dali Bai autonomous prefecture, Yunnan, China
This is a study to explore the perception of local individuals on the impact of tourism development on Bai culture in Dali Old Town that is situated in the Dali Autonomous Prefectu...
Ilustratorka ambasadorką? Rysunki Leonor Fini do Traktatu o manekinach Brunona Schulza („Preuves”, 1960)
Ilustratorka ambasadorką? Rysunki Leonor Fini do Traktatu o manekinach Brunona Schulza („Preuves”, 1960)
The first step in the reception of Schulz’s work in France was a translation of La morte saison (“Martwy sezon”) in July 1959 for the magazine Les Lettres nouvelles, edited by Maur...
Nature Transformed: English Landscape Gardens and <i>Theatrum Mundi</i>
Nature Transformed: English Landscape Gardens and <i>Theatrum Mundi</i>
IntroductionThe European will to modify the natural world emerged through English landscape design during the eighteenth century. Released from the neo-classical aesthetic dichotom...
Monster
Monster
Monsters are everywhere in our popular media narratives. They lurk in the shadows of video games and computer animations, ready to pounce. They haunt the frames of horror films and...

Back to Top