Scenes from the Life of Christ: Disrobing Youths from the Entry into Jerusalem, Flagellation, and Angel at the Sepulchre

This panel depicting The Risen Christ was formerly in the collection of the Pusterla della Porta family in Milan, where it is recorded from 1590 until the first quarter of the 20th...

This panel of The Descent from the Cross entered the Thyssen-Bornemisza collection before 1930 and was tentatively attributed in catalogues of the collection published prior to 198...

Christ holding the cross was a motif that El Greco derived from the narrative of Christ’s Passion, creating an isolated image that seems to have been extremely popular with his cli...

A wooden polychrome triptych consisting of three panels hinged together with painted scenes. Assembled after 1611. When closed the triptych shows a scene of a priest kneeling at pr...

This pair of panels formed part of a large ensemble of which the other subjects are now unknown. Within the Museum’s collection they are among the most iconographically interesting...

Mordecai Ardon sought to create a new Israeli artistic language that was both figurative-realistic and abstract-symbolic. In At the Gates of Jerusalem he used mystical imagery and ...

A group photo of the teachers and students at Jerusalem Men's College, an academic institution that operated in Jerusalem under the auspices of the Anglican Missionary Society. The...