Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

A Silver Trumpet-Brooch with Relief Decoration, Parcel-Gilt, from Carmarthen, and a Note on the Development of the Type

View through CrossRef
SummaryThe Carmarthen brooch, datable not later thanc.a.d.50 and perhaps as early asc.25, is a direct two-piece successor to the pre-Roman, one-piece, Aylesford type, now known to be considerably later in date than used to be thought. The two-piece construction, which characterizes the entire British trumpet-brooch series, was adopted as a convenience when the bow was given a massive form in order to accommodate Late Celtic decoration in relief, of a western character and antecedents. The central moulding and foot carry petalled ornament of a ‘transitional’ or ‘supporting’ type: this ornament is reminiscent of that sometimes found between the circlet and terminals of early La Tène torcs abroad, but is probably better understood here as the carefully-designed continuationen suiteof the open flower or rosette upon the headloop, and thus as half-open flower. Only the Carmarthen brooch retains such a headloop rosette.The Carmarthen brooch was soon copied in bronze, and on these copies the relief appears in a coarsened and simplified form. The copies are entirely from western findspots. In the southern part of the region in which they occur, the medial petalling is retained (as at Lydney); but in the northern part, additional simplification has led to the suppression of the medial petalling (as atSegontium). Thus the Carmarthen brooch may be seen as the parent of the more fully-developedRiiclass of Collingwood's typological sequence, and also of at least one strand in theRiclass, which has been considered up to now as the original form. In the west Midlands, perhaps seizing the opportunity offered by the simplified relief, craftsmen began to apply red enamel to the hollow areas, and to emphasize the central moulding, with its petalling, so that this became the principal plastic ornamental element (as at The Lunt, bya.d.75). In the north of England, these novel features, enamel and exaggerated moulding, were further developed. The fine northern brooches (Backworth—not enamelled, but engraved—or Risingham) do not have headloop rosettes, and it was in the presence of their exaggerated central mouldings that Collingwood devised his celebrated ‘acanthus’ theory. By the Antonine period, brooches were being produced with polychrome enamel, and with their mouldings confined, very often, to the front of the bow; many of these have been found along the Rhine. Some late derivatives of the Carmarthen type are known from Wroxeter, and form a final group in the Appendix above.
Title: A Silver Trumpet-Brooch with Relief Decoration, Parcel-Gilt, from Carmarthen, and a Note on the Development of the Type
Description:
SummaryThe Carmarthen brooch, datable not later thanc.
a.
d.
50 and perhaps as early asc.
25, is a direct two-piece successor to the pre-Roman, one-piece, Aylesford type, now known to be considerably later in date than used to be thought.
The two-piece construction, which characterizes the entire British trumpet-brooch series, was adopted as a convenience when the bow was given a massive form in order to accommodate Late Celtic decoration in relief, of a western character and antecedents.
The central moulding and foot carry petalled ornament of a ‘transitional’ or ‘supporting’ type: this ornament is reminiscent of that sometimes found between the circlet and terminals of early La Tène torcs abroad, but is probably better understood here as the carefully-designed continuationen suiteof the open flower or rosette upon the headloop, and thus as half-open flower.
Only the Carmarthen brooch retains such a headloop rosette.
The Carmarthen brooch was soon copied in bronze, and on these copies the relief appears in a coarsened and simplified form.
The copies are entirely from western findspots.
In the southern part of the region in which they occur, the medial petalling is retained (as at Lydney); but in the northern part, additional simplification has led to the suppression of the medial petalling (as atSegontium).
Thus the Carmarthen brooch may be seen as the parent of the more fully-developedRiiclass of Collingwood's typological sequence, and also of at least one strand in theRiclass, which has been considered up to now as the original form.
In the west Midlands, perhaps seizing the opportunity offered by the simplified relief, craftsmen began to apply red enamel to the hollow areas, and to emphasize the central moulding, with its petalling, so that this became the principal plastic ornamental element (as at The Lunt, bya.
d.
75).
In the north of England, these novel features, enamel and exaggerated moulding, were further developed.
The fine northern brooches (Backworth—not enamelled, but engraved—or Risingham) do not have headloop rosettes, and it was in the presence of their exaggerated central mouldings that Collingwood devised his celebrated ‘acanthus’ theory.
By the Antonine period, brooches were being produced with polychrome enamel, and with their mouldings confined, very often, to the front of the bow; many of these have been found along the Rhine.
Some late derivatives of the Carmarthen type are known from Wroxeter, and form a final group in the Appendix above.

Related Results

Ary Scheffer, een Nederlandse Fransman
Ary Scheffer, een Nederlandse Fransman
AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that...
Dynamic Simulation to Determine Governing Relief Load for De-Methanizer System
Dynamic Simulation to Determine Governing Relief Load for De-Methanizer System
Abstract The existing design of de-methanizer column relief system is re-validated to ensure process safety and integrity. Relief load estimation for de-methanizer b...
Pieter Saenredam: zijn boekenbezit en zijn relatie met de landmeter Pieter Wils
Pieter Saenredam: zijn boekenbezit en zijn relatie met de landmeter Pieter Wils
AbstractAn earlier article on Saenredam's construction drawings (Note, 1 ) left open the question of how he obtained his knowledge of perspective. His teacher Frans de Grebber (Not...
Een serie tekeningen van Johannes Stradanus met scènes uit het leven van de Heilige Giovanni Gualberto
Een serie tekeningen van Johannes Stradanus met scènes uit het leven van de Heilige Giovanni Gualberto
AbstractAmong the extensive collection of pen sketches by Johannes Stradanus (Bruges 1523-Florence 1605) in the Cooper-Hewitt Museum of Design and the Pierpont Morgan Library in Ne...
Baroque concert for trumpet with orchestra of Italian composers: ways of formation
Baroque concert for trumpet with orchestra of Italian composers: ways of formation
The ways of formation of the genre of Trumpet Concerto with Orchestra in the work of Italian composers of the Baroque era are highlighted. It was found that the trumpet in the conc...
Reproduction of the Hunterston Brooch in Scotland and Ireland, c. 1850–1900
Reproduction of the Hunterston Brooch in Scotland and Ireland, c. 1850–1900
The eighth-century Hunterston brooch was found at Hunterston, Ayrshire in Scotland around 1830. The distinctive features of the Hunterston brooch, including a later tenth-century r...
Function and Meaning of Symbolism in the Memorial Ornaments of Munson and Lyman Tomb Ornaments: A Semiotic Study
Function and Meaning of Symbolism in the Memorial Ornaments of Munson and Lyman Tomb Ornaments: A Semiotic Study
This article is entitled “Function and Meaning of Symbolism in the Memorial Ornaments of Munson and Lyman Tomb Ornaments: A Semiotic Study.” The study aimed to describe the from, f...

Back to Top