Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

TRANSGRESSING SILENCE: FEMALE AGENCY AND THE POLITICS OF THE UNSPEAKABLE IN OUSMANE SEMBÈNE’S WHITE GENESIS

View through CrossRef
Ousmane Sembène’s White Genesis interrogates the intersections of religion, morality, and gender within a West African Muslim community. Centred on a forbidden taboo that is strategically obscured by communal silence, the novella reveals how patriarchal and religious structures suppress women’s voices while masking deeper moral ruptures. This article analyses how Sembène reconfigures female silence as a form of resistance rather than a marker of submission. Drawing on postcolonial theory and Islamic feminist criticism, it argues that the figure of the “Other” woman traditionally burdened with shame and exclusion, emerges as a moral witness whose presence unsettles the authority of male-dominated institutions. By transforming silence into a medium of ethical intervention, White Genesis advances an African feminist vision rooted in moral accountability, communal responsibility and a redefinition of voice that exceeds the limits of spoken expression.
Title: TRANSGRESSING SILENCE: FEMALE AGENCY AND THE POLITICS OF THE UNSPEAKABLE IN OUSMANE SEMBÈNE’S WHITE GENESIS
Description:
Ousmane Sembène’s White Genesis interrogates the intersections of religion, morality, and gender within a West African Muslim community.
Centred on a forbidden taboo that is strategically obscured by communal silence, the novella reveals how patriarchal and religious structures suppress women’s voices while masking deeper moral ruptures.
This article analyses how Sembène reconfigures female silence as a form of resistance rather than a marker of submission.
Drawing on postcolonial theory and Islamic feminist criticism, it argues that the figure of the “Other” woman traditionally burdened with shame and exclusion, emerges as a moral witness whose presence unsettles the authority of male-dominated institutions.
By transforming silence into a medium of ethical intervention, White Genesis advances an African feminist vision rooted in moral accountability, communal responsibility and a redefinition of voice that exceeds the limits of spoken expression.

Related Results

Ousmane Sembene and the Politics of Culture
Ousmane Sembene and the Politics of Culture
Undoubtedly one of Africa’s most influential first generation of writers and filmmakers, Ousmane Sembene's creative works of fiction as well as his films have been the subject of a...
Ousmane Sembène
Ousmane Sembène
This is the first biography of one of the most important African writers and filmmakers, a man who remains, as Gadjigo (Mount Holyoke College) puts it, 'an unknown celebrity.' The ...
Ousmane Sembène
Ousmane Sembène
In 1960, when Senegal became independent from France, Ousmane Sembène was already an established author in French. He had published Le docker noir (1956), O pays mon beau peuple (1...
Power in Silence: Captions, Deafness, and the Final Girl
Power in Silence: Captions, Deafness, and the Final Girl
IntroductionThe horror film Hush (2016) has attracted attention since its release due to the uniqueness of its central character—a deaf–mute author who lives in a world of silence....
Sembene, Vieyra, and the Making of Xala
Sembene, Vieyra, and the Making of Xala
The production of Xala (1974) provided an opportunity for Senegalese filmmaker Ousmane Sembene and Paulin Vieyra, his reliable collaborator and long-term producer, to confront a ch...
Sembène, Ousmane
Sembène, Ousmane
AbstractOusmane Sembène (1923–2007), was a filmmaker, novelist, and short‐story writer. Hailed as the father of African cinema, his many films, documentaries, and novels have earne...
Sociological Methods of Studying Silence
Sociological Methods of Studying Silence
This paper is devoted to the methods of studying silence as a social phenomenon. As a research object, it is characterised by a high degree of uncertainty, multiple interpretations...
Women and Islam in Senegal in Mariama Bâ's So Long a Letter and Sembène Ousmane's Xala
Women and Islam in Senegal in Mariama Bâ's So Long a Letter and Sembène Ousmane's Xala
ABSTRACT: This article investigates the representation of women in the writings of Mariama Bâ and Sembene Ousmane. Their works So Long a Letter (1981) and Xala (1976) illustrate at...

Back to Top