Javascript must be enabled to continue!
Concertos for 8 Voices by Vasily Titov, and the Composer Vasily Gusev
View through CrossRef
В статье вводится в научный обиход цикл из восьми концертов Василия Титова на восемь голосов. Анализируются десять источников текста, пять из которых являются прижизненными, пять — посмертными. Путем датировки рукописей и выявления наиболее ранних источников устанавливается аутентичная структура цикла. В ряде источников к данному циклу примыкает покаянный концерт («Суди ми, Боже»), написанный Василием Гусевым. В статье опровергается точка зрения В. В. Протопопова, считавшего этот концерт сочинением Титова. Приводятся аргументы в пользу авторства Гусева. В Приложении публикуется партитура первого концерта цикла «Ты ми, Христе Господь», восстановленная по прижизненным источникам. Проводится ее сравнение с поздней копией этого же концерта (1743), носящей следы позднебарочной редактуры.
The article introduces a cycle of eight concertos by Vasily Titov for eight voices into scientific use. Ten sources of the text are analyzed, five of which are lifetime and five — posthumous. By dating the manuscripts and identifying the earliest sources, the authentic structure of the cycle is established. In a number of sources, the penitential concerto (Vindicate me, my God), composed by Vasily Gusev, is attached to this cycle. The article refutes the point of view by V. V. Protopopov, who considered this concerto to be a work by Titov. Arguments in favor of Gusev’s authorship are given. The Appendix publishes the score of the first concert of the cycle You are my Lord, Christ, restored from lifetime sources. The given score is compared with a later copy of the same concerto (1743), which bears traces of late-Baroque editing.
Moscow State Tchaikovsky Conservatory
Title: Concertos for 8 Voices by Vasily Titov, and the Composer Vasily Gusev
Description:
В статье вводится в научный обиход цикл из восьми концертов Василия Титова на восемь голосов.
Анализируются десять источников текста, пять из которых являются прижизненными, пять — посмертными.
Путем датировки рукописей и выявления наиболее ранних источников устанавливается аутентичная структура цикла.
В ряде источников к данному циклу примыкает покаянный концерт («Суди ми, Боже»), написанный Василием Гусевым.
В статье опровергается точка зрения В.
В.
Протопопова, считавшего этот концерт сочинением Титова.
Приводятся аргументы в пользу авторства Гусева.
В Приложении публикуется партитура первого концерта цикла «Ты ми, Христе Господь», восстановленная по прижизненным источникам.
Проводится ее сравнение с поздней копией этого же концерта (1743), носящей следы позднебарочной редактуры.
The article introduces a cycle of eight concertos by Vasily Titov for eight voices into scientific use.
Ten sources of the text are analyzed, five of which are lifetime and five — posthumous.
By dating the manuscripts and identifying the earliest sources, the authentic structure of the cycle is established.
In a number of sources, the penitential concerto (Vindicate me, my God), composed by Vasily Gusev, is attached to this cycle.
The article refutes the point of view by V.
V.
Protopopov, who considered this concerto to be a work by Titov.
Arguments in favor of Gusev’s authorship are given.
The Appendix publishes the score of the first concert of the cycle You are my Lord, Christ, restored from lifetime sources.
The given score is compared with a later copy of the same concerto (1743), which bears traces of late-Baroque editing.
Related Results
Voice clones sound realistic but not (yet) hyperrealistic
Voice clones sound realistic but not (yet) hyperrealistic
AI-generated voices are increasingly prevalent in our lives, via virtual assistants, automated customer service, and voice-overs. With increased availability and affordability of A...
Performing modern music
Performing modern music
Name: Pieter van Loenen
Main Subject: Violin
Research supervisor: Stefan Petrovic
Title of Research: Performing modern music
Research Question: How should you go about performi...
Trait impressions from voices are formed rapidly within 400ms of exposure
Trait impressions from voices are formed rapidly within 400ms of exposure
When seeing a face or hearing a voice, perceivers readily form first impressions of a person’s characteristics – are they trustworthy, do they seem aggressive? One of the key claim...
Both personal and shared taste shape impressions from voices and faces
Both personal and shared taste shape impressions from voices and faces
Voices elicit rich first impressions of what the person we are hearing might be like. Research stresses that these impressions from voices are shared across different listeners, su...
Paradisus Musicus
Paradisus Musicus
Paradisus Musicus is the last collection of sacred music by Melchior Franck (ca. 1579–1639). It is a unique collection for small voices and continuo, and it includes expressive set...
Composer-composer collaboration and the difficulty of intradisciplinarity
Composer-composer collaboration and the difficulty of intradisciplinarity
Research and practice involving parties from different disciplines is of increasing importance in many fields. In the arts, this has manifested itself in both increasing attention ...
I concerti di Giuseppe Tartini: problematiche e proposte per un nuovo catalogo tematico
I concerti di Giuseppe Tartini: problematiche e proposte per un nuovo catalogo tematico
This essay examines the violin, cello and flute concertos of Giuseppe Tartini and attempts to reconstruct his compositional works from sources (manuscripts, printed scores and othe...
AYAZ GAMBARLİ’ NİN PİYANO İÇİN “OBRAZLAR” ESERİ
AYAZ GAMBARLİ’ NİN PİYANO İÇİN “OBRAZLAR” ESERİ
The given article provides extensive information about the creativity of the composer A. Gambarli who is the laureate of International Competitions. Here we take a look at the exam...

