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Concertos for 8 Voices by Vasily Titov, and the Composer Vasily Gusev

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В статье вводится в научный обиход цикл из восьми концертов Василия Титова на восемь голосов. Анализируются десять источников текста, пять из которых являются прижизненными, пять — посмертными. Путем датировки рукописей и выявления наиболее ранних источников устанавливается аутентичная структура цикла. В ряде источников к данному циклу примыкает покаянный концерт («Суди ми, Боже»), написанный Василием Гусевым. В статье опровергается точка зрения В. В. Протопопова, считавшего этот концерт сочинением Титова. Приводятся аргументы в пользу авторства Гусева. В Приложении публикуется партитура первого концерта цикла «Ты ми, Христе Господь», восстановленная по прижизненным источникам. Проводится ее сравнение с поздней копией этого же концерта (1743), носящей следы позднебарочной редактуры. The article introduces a cycle of eight concertos by Vasily Titov for eight voices into scientific use. Ten sources of the text are analyzed, five of which are lifetime and five — posthumous. By dating the manuscripts and identifying the earliest sources, the authentic structure of the cycle is established. In a number of sources, the penitential concerto (Vindicate me, my God), composed by Vasily Gusev, is attached to this cycle. The article refutes the point of view by V. V. Protopopov, who considered this concerto to be a work by Titov. Arguments in favor of Gusev’s authorship are given. The Appendix publishes the score of the first concert of the cycle You are my Lord, Christ, restored from lifetime sources. The given score is compared with a later copy of the same concerto (1743), which bears traces of late-Baroque editing.
Title: Concertos for 8 Voices by Vasily Titov, and the Composer Vasily Gusev
Description:
В статье вводится в научный обиход цикл из восьми концертов Василия Титова на восемь голосов.
Анализируются десять источников текста, пять из которых являются прижизненными, пять — посмертными.
Путем датировки рукописей и выявления наиболее ранних источников устанавливается аутентичная структура цикла.
В ряде источников к данному циклу примыкает покаянный концерт («Суди ми, Боже»), написанный Василием Гусевым.
В статье опровергается точка зрения В.
В.
Протопопова, считавшего этот концерт сочинением Титова.
Приводятся аргументы в пользу авторства Гусева.
В Приложении публикуется партитура первого концерта цикла «Ты ми, Христе Господь», восстановленная по прижизненным источникам.
Проводится ее сравнение с поздней копией этого же концерта (1743), носящей следы позднебарочной редактуры.
The article introduces a cycle of eight concertos by Vasily Titov for eight voices into scientific use.
Ten sources of the text are analyzed, five of which are lifetime and five — posthumous.
By dating the manuscripts and identifying the earliest sources, the authentic structure of the cycle is established.
In a number of sources, the penitential concerto (Vindicate me, my God), composed by Vasily Gusev, is attached to this cycle.
The article refutes the point of view by V.
V.
Protopopov, who considered this concerto to be a work by Titov.
Arguments in favor of Gusev’s authorship are given.
The Appendix publishes the score of the first concert of the cycle You are my Lord, Christ, restored from lifetime sources.
The given score is compared with a later copy of the same concerto (1743), which bears traces of late-Baroque editing.

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