Javascript must be enabled to continue!
Henrik Johan Ibsen (1828–1906)
View through CrossRef
Henrik Ibsen is Norway’s most important writer and one of the most influential dramatists of the second half of the nineteenth century. His dramatic production has left a deep mark on Western culture, and his plays have revolutionized the European theatre, inspiring generations of playwrights and novelists such as George Bernard Shaw, James Joyce, Luigi Pirandello, Anton Chekhov, and Eugene O’Neill. Together with Bjørnstjerne Bjørnson, August Strindberg, and Jens Peter Jacobsen, Ibsen is considered one of the major exponents of the Scandinavian "Modern Breakthrough," as well as one of the early voices of European modernism. His early dramatic production mainly consists of historical plays, verse drama, and poetry; in the late 1870s, Ibsen started a cycle of 12 prose plays in a contemporary bourgeois setting, which combine a marked taste for realism with a turn to symbolism, especially in his later years. His discussion of "the woman question" and of the moral double standard of the European bourgeoisie, but also the psychological study of his characters and the search for identity they undertake, made Ibsen first a controversial figure, later a famous, praised, and rich author. In the twentieth century, Ibsen has become a classic of world literature and drama, and he is widely read, staged, and researched all over the globe. In particular, the social appeal of his plays is still dramatically felt in developing countries and in different post-colonial contexts.
Title: Henrik Johan Ibsen (1828–1906)
Description:
Henrik Ibsen is Norway’s most important writer and one of the most influential dramatists of the second half of the nineteenth century.
His dramatic production has left a deep mark on Western culture, and his plays have revolutionized the European theatre, inspiring generations of playwrights and novelists such as George Bernard Shaw, James Joyce, Luigi Pirandello, Anton Chekhov, and Eugene O’Neill.
Together with Bjørnstjerne Bjørnson, August Strindberg, and Jens Peter Jacobsen, Ibsen is considered one of the major exponents of the Scandinavian "Modern Breakthrough," as well as one of the early voices of European modernism.
His early dramatic production mainly consists of historical plays, verse drama, and poetry; in the late 1870s, Ibsen started a cycle of 12 prose plays in a contemporary bourgeois setting, which combine a marked taste for realism with a turn to symbolism, especially in his later years.
His discussion of "the woman question" and of the moral double standard of the European bourgeoisie, but also the psychological study of his characters and the search for identity they undertake, made Ibsen first a controversial figure, later a famous, praised, and rich author.
In the twentieth century, Ibsen has become a classic of world literature and drama, and he is widely read, staged, and researched all over the globe.
In particular, the social appeal of his plays is still dramatically felt in developing countries and in different post-colonial contexts.
Related Results
Popular Theatre - Highbrow or Lowbrow
Popular Theatre - Highbrow or Lowbrow
For 13 years, from 1851 to 1864, Ibsen worked full time at the Norwegian theatres in Bergen and Christiania (Oslo) as a stage director and theatre manager. Ibsen’s period in the th...
Epiphanic Transformations: Lou Andreas-Salomé's Reading of Nora, Rebecca and Ellida
Epiphanic Transformations: Lou Andreas-Salomé's Reading of Nora, Rebecca and Ellida
Epiphanic Transformations: Lou AndreasSalome's Reading of Nora, Rebecca and Ellida LORRAINE MARKOTlC It is now we1l over a hundred years since the publication of Lou AndreasSalome'...
Nora Helmer and Thora Helmer: Henrik Ibsen at Play with the Vaudeville
Nora Helmer and Thora Helmer: Henrik Ibsen at Play with the Vaudeville
ABSTRACT
This article gives evidence for considering the vaudeville genre as a factor that complicates our received understanding of the plays of Norwegian dramatist...
Ibsen Exposed: Atle Næss’s Sensommer and Niels Fredrik Dahl’s Henrik og Emilie
Ibsen Exposed: Atle Næss’s Sensommer and Niels Fredrik Dahl’s Henrik og Emilie
AbstractIn this article the author considers two Norwegian fictionalizations of the historical figure Henrik Ibsen. Building on theories of biographical fiction and biographical th...
Intertextuality in Eleanor Marx-Aveling’s A Doll’s House and Madame Bovary
Intertextuality in Eleanor Marx-Aveling’s A Doll’s House and Madame Bovary
Abstract
Eleanor Marx-Aveling, Karl Marx’s third daughter, was a translator of literary and political texts, as well as a political activist. Intertextual refer...
Knowing the Dramatist by His Choices: James, Ibsen, and The Awkward Age
Knowing the Dramatist by His Choices: James, Ibsen, and The Awkward Age
This article suggests that The Awkward Age adapts Henrik Ibsen’s metaphysical tensions and linguistic figures to the structures of a comedy of manners set in the London of the “nau...
Margaretha Meyboom, 1856-1927
Margaretha Meyboom, 1856-1927
Margaretha Anna Sophia Meyboom werd op 29 juli 1856 in Amsterdam geboren als tweede dochter in een domineesgezin. Haar ouders Angenis Henriette Frederika Tydeman (1828-1898) en Lou...
Il signor Erminio Ekdal and the first translation of "The Wild Duck": domesticating Henrik Ibsen for late Nineteenth-Century Italy
Il signor Erminio Ekdal and the first translation of "The Wild Duck": domesticating Henrik Ibsen for late Nineteenth-Century Italy
The article focuses on the first Italian translation of Henrik Ibsen's "Vildanden" ("The Wild Duck") made by Enrico Polese Santarnecchi and Paolo Rindler in 1891. The emphasis is o...


