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Bowl with Rooster and Fish
View through Harvard Museums
Repaired from about twenty fragments, but with only small losses, this bowl is decorated with two startled-looking animals— a rooster, and, in its beak, a fish. Their wide-eyed energy is sustained by other sharply angled elements of the design: fins and tail feathers, coxcomb, and fluttering scarf. These creatures have long carried positive associations: the rooster, as the harbinger of dawn, symbolizes hope, while the fish suggests bounty. In religious contexts, the rooster also developed more specifically auspicious connotations: according to a popular epigram attributed to the Prophet Muhammad, he crows when he sees an angel; in Christian tradition, his invigorating sound recalls the faltering to their faith. The glazed base of this bowl bears an undecipherable inscription in Kufic script.
Department of Islamic & Later Indian Art
[Mansour Gallery London 1973] sold; to Stanford and Norma Jean Calderwood Belmont MA (1973-2002) gift; to Harvard Art Museums 2002.
Harvard Art Museums/Arthur M. Sackler Museum The Norma Jean Calderwood Collection of Islamic Art
Title: Bowl with Rooster and Fish
Description:
Repaired from about twenty fragments, but with only small losses, this bowl is decorated with two startled-looking animals— a rooster, and, in its beak, a fish.
Their wide-eyed energy is sustained by other sharply angled elements of the design: fins and tail feathers, coxcomb, and fluttering scarf.
These creatures have long carried positive associations: the rooster, as the harbinger of dawn, symbolizes hope, while the fish suggests bounty.
In religious contexts, the rooster also developed more specifically auspicious connotations: according to a popular epigram attributed to the Prophet Muhammad, he crows when he sees an angel; in Christian tradition, his invigorating sound recalls the faltering to their faith.
The glazed base of this bowl bears an undecipherable inscription in Kufic script.
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