Javascript must be enabled to continue!
A Sorcery Hunt in Dagomba
View through CrossRef
Opening ParagraphI do not know what events led up to the sorcery hunt in Savelugu, but in Nanton the sorcerer-finders came on the invitation of the Nantonlana. His invitation was given because, it is said, much sorcery was about. The only certain sign of it that I know is that sorcerer's fire was seen at night. Though I have seen this phenomenon three times I do not know what it is. It travels at thirty to forty feet above the ground at considerable speed, flashing on and off, sometimes as bright as a bicycle lamp. It may be a large firefly, though it does not resemble any firefly I have seen close to. In Konkomba country I thought (though I never saw it there) that it might be an effect of marsh gas. Here in Nanton I do not know what it may be.
Title: A Sorcery Hunt in Dagomba
Description:
Opening ParagraphI do not know what events led up to the sorcery hunt in Savelugu, but in Nanton the sorcerer-finders came on the invitation of the Nantonlana.
His invitation was given because, it is said, much sorcery was about.
The only certain sign of it that I know is that sorcerer's fire was seen at night.
Though I have seen this phenomenon three times I do not know what it is.
It travels at thirty to forty feet above the ground at considerable speed, flashing on and off, sometimes as bright as a bicycle lamp.
It may be a large firefly, though it does not resemble any firefly I have seen close to.
In Konkomba country I thought (though I never saw it there) that it might be an effect of marsh gas.
Here in Nanton I do not know what it may be.
Related Results
Sorceresses, Love Magic, and the Inquisition of Linguistic Sorcery in Celestina
Sorceresses, Love Magic, and the Inquisition of Linguistic Sorcery in Celestina
In recent years critics have contested the traditional understanding of Celestina's “enchantment” of Melibea as diabolically assisted. Yet rhetorical, feminist, and poststructurali...
Richard Morris Hunt, the Continental Picturesque, and the "Stick Style"
Richard Morris Hunt, the Continental Picturesque, and the "Stick Style"
Focusing on the Newport villas of Richard Morris Hunt, this study develops the thesis that picturesque imagery and foreign sources are critical to the understanding and interpretat...
Art. IX.—On the Muhammedan Science of Tâbír, or Interpretation of Dreams
Art. IX.—On the Muhammedan Science of Tâbír, or Interpretation of Dreams
The subject of Dreams has invited the inquiry of science in many ages and countries. A phenomenon of such frequent occurrence in connection with one of the ordinary functions of th...
Ifa Divination in Igala
Ifa Divination in Igala
Opening ParagraphAt the level of belief Igala religion is rather unsystematic and comprises belief in a number of different spirits whose mutual interrelationship is not very clear...
To Hunt or Not to Hunt: Tiger Hunting, Conservation and Collaboration in Colonial India
To Hunt or Not to Hunt: Tiger Hunting, Conservation and Collaboration in Colonial India
As the Edwardian era came to an end in Britain and its Empire began to decline, the glorious days of tiger hunting in India were being measured against a genuine fear of the total ...
Another Alexander mosaic: reconstructing the Hunt mosaic from Palermo
Another Alexander mosaic: reconstructing the Hunt mosaic from Palermo
In 1904, a mosaic representing a hunt scene was found in House B in the Piazza della Vittoria in the centre of modern Palermo. The results of the excavations were published in 1921...
William Holman Hunt: Layered Belief in the Art of a Pre-Raphaelite Realist
William Holman Hunt: Layered Belief in the Art of a Pre-Raphaelite Realist
Abstract
The essay is concerned with the evolving religious beliefs of the British Pre-Raphaelite painter, William Holman Hunt (1827–1910). Hunt’s fa...