Javascript must be enabled to continue!
Gordon Crook: tapestries
View through CrossRef
Gordon Crook (1921–2011) is a major New Zealand artist, well represented in the Museum of New Zealand Te Papa Tongarewa collection. He came to New Zealand in 1972, aged 51, where he made for himself a new career, based upon new styles of artmaking, particularly tapestries, both large-scale wall hangings and more intimate pieces. He wove many of the small works himself, but also worked with New Zealand weavers, in particular Lesley Nicholls and Trish Armour. This is the first study to examine the range of Crook’s textile art made in New Zealand and his response to Pacific and Oceanic themes.
Title: Gordon Crook: tapestries
Description:
Gordon Crook (1921–2011) is a major New Zealand artist, well represented in the Museum of New Zealand Te Papa Tongarewa collection.
He came to New Zealand in 1972, aged 51, where he made for himself a new career, based upon new styles of artmaking, particularly tapestries, both large-scale wall hangings and more intimate pieces.
He wove many of the small works himself, but also worked with New Zealand weavers, in particular Lesley Nicholls and Trish Armour.
This is the first study to examine the range of Crook’s textile art made in New Zealand and his response to Pacific and Oceanic themes.
Related Results
A Plea for Doubt in the Subjectivity of Method
A Plea for Doubt in the Subjectivity of Method
Photograph by Gonzalo Echeverria (2010)Doubt has been my closest companion for several years as I struggle to make sense of certain hidden events from within my family’s hist...
John Anthony Crook 1921–2007
John Anthony Crook 1921–2007
John Anthony Crook (1921–2007), a Fellow of the British Academy, was a distinguished ancient historian with a special interest in Roman history and law. Among historians, his knowl...
General George Crook and General Nelson A. Miles: Their Careers as Indian Fighters and Allied Adversaries
General George Crook and General Nelson A. Miles: Their Careers as Indian Fighters and Allied Adversaries
The U.S. Military’s efforts to rid the American frontier of its troublesome native inhabitants reached its climax in the post-antebellum period. Lacking a set doctrine, individual...
Imaginative Possibilities of Harry Gordon`s Poetry
Imaginative Possibilities of Harry Gordon`s Poetry
The author of the article examines the lyrics of the poet and artist Harry Gordon through the category of intermediality, discovering the unique visual possibilities of his word wh...
John Lingard and The Anglo-Saxon Church
John Lingard and The Anglo-Saxon Church
John Lingard's first major work, The Antiquities of the Anglo-Saxon Church was published in 1806 in Newcastle by Edward Walker. It was the only major work to come from the period o...
“OUR PROTESTANT Rabbin”
“OUR PROTESTANT Rabbin”
This article comprises a dialogue between two historians who have attempted, individually, to narrate the life of Lord George Gordon (1751 – 93), the Scottish prophet, revolutionar...
Historic architecture and landscape inventory for Gordon Lakes Golf Club, Fort Gordon, Georgia
Historic architecture and landscape inventory for Gordon Lakes Golf Club, Fort Gordon, Georgia
The US Congress codified the National Historic Preservation Act of 1966 (NHPA), through establishing the National Register of Historic Places (NRHP). The NHPA requires federal agen...
Tapestries once at Chastleton House and Their Influence on the Image of the Tapestries Called Sheldon: A Reassessment
Tapestries once at Chastleton House and Their Influence on the Image of the Tapestries Called Sheldon: A Reassessment
The intentions expressed in William Sheldon's will of 1570 suggest an attempt to introduce tapestry weaving at Barcheston, Warwickshire. Interpreted in the 1920s as resulting in a ...

