Javascript must be enabled to continue!
Letters
View through Europeana Collections
Letter undated from John Bauer to Ester Ellqvist, consisting of four pages written on the front and back of a thin, folded sheet of paper. Main writing handwritten in pencil. On the front page there is clustered in red ink. The letter is unfinished and lacks signature. The style of hand suggests John Bauer as a sender.
..
LETTER TRANSCRIPT:
..
[Page 1]
rara rara Esther. Hvad
now egenlegen
I pale so evil for your black paper in --- [?]
Ester my I’m getting the core in the dough for where
passing day. And I am a drug about
dough about the nights. I did hall
lan for And always I’m drugging on
the same time about our cottage. O du
my own little Esther. You I think
al--- [?] more think about it even
[Inscribed line difficult to read]
It’s the beginning and the end of everyone
my thoughts. And we shall procure
us the you Ester you know sometimes
I know mej tight despite my
great weakness. I
-- [?] weak that I’m crying out of time
sometimes af grief --- [?] --- [?], but i
among af glade Ja --- [?] --- [?] --- [?] --- [?] --- [?]
beautiful you are [unreadable] you are now
muck
For that, our s--- [?]
sandy --- [?]
After all, I did not have to doubt on
..
[Page 2]
or fear grosshand
the Laren with a Vine.[?]
I’ve set up and got drunk
down in evening. The great loneliness
has been around mej. I
ä sålonde du Esther. I have
fired a steeped bonfire at the [?]
I now set [written obliquely over the upper row: and] swept
and come on a good house
Mör Min atelje is so funny
at the rail, a bonfire
I kanner mej so calm and tr-gg [?]
When I hear the birches spray
It’s too mej it’s just burning for
Mej, for Mej and my Drugs
..
[Page 3]
Esther min hvarfor did you not sit [?]
on the trap at my feet. I
dreamed you sat there and I
spoke at the Dej and you answered
but both stared into the fire
until the glow began to be blackened. I
Never dared to look at dough. I
stared stubbornly in the fire. Had I seen on dough you had before -
swollen. I didn’t see dough
not kiss dough not feel like
your hand in mine. I Disted
I avoided this
you sit next to mej and
I dreamed you did it
Ester sk [?] never again
John kiss mej now] When you
..
[Page 4]
then asking mej lifs lefvnde
with your purple body --- [?]
lips your eyes your hair
then you’ll have it sawn.
don’t laugh it in bref when
You are 40 miles far away
You never really know the treason
safe for mej in Stockholm
I never intend to speak m
for dough when I arrived
If I were to come Öfverraskad to
you become and it’s manga
many kisses you ä skyl
you mej
Title: Letters
Description:
Letter undated from John Bauer to Ester Ellqvist, consisting of four pages written on the front and back of a thin, folded sheet of paper.
Main writing handwritten in pencil.
On the front page there is clustered in red ink.
The letter is unfinished and lacks signature.
The style of hand suggests John Bauer as a sender.
.
LETTER TRANSCRIPT:
.
[Page 1]
rara rara Esther.
Hvad
now egenlegen
I pale so evil for your black paper in --- [?]
Ester my I’m getting the core in the dough for where
passing day.
And I am a drug about
dough about the nights.
I did hall
lan for And always I’m drugging on
the same time about our cottage.
O du
my own little Esther.
You I think
al--- [?] more think about it even
[Inscribed line difficult to read]
It’s the beginning and the end of everyone
my thoughts.
And we shall procure
us the you Ester you know sometimes
I know mej tight despite my
great weakness.
I
-- [?] weak that I’m crying out of time
sometimes af grief --- [?] --- [?], but i
among af glade Ja --- [?] --- [?] --- [?] --- [?] --- [?]
beautiful you are [unreadable] you are now
muck
For that, our s--- [?]
sandy --- [?]
After all, I did not have to doubt on
.
[Page 2]
or fear grosshand
the Laren with a Vine.
[?]
I’ve set up and got drunk
down in evening.
The great loneliness
has been around mej.
I
ä sålonde du Esther.
I have
fired a steeped bonfire at the [?]
I now set [written obliquely over the upper row: and] swept
and come on a good house
Mör Min atelje is so funny
at the rail, a bonfire
I kanner mej so calm and tr-gg [?]
When I hear the birches spray
It’s too mej it’s just burning for
Mej, for Mej and my Drugs
.
[Page 3]
Esther min hvarfor did you not sit [?]
on the trap at my feet.
I
dreamed you sat there and I
spoke at the Dej and you answered
but both stared into the fire
until the glow began to be blackened.
I
Never dared to look at dough.
I
stared stubbornly in the fire.
Had I seen on dough you had before -
swollen.
I didn’t see dough
not kiss dough not feel like
your hand in mine.
I Disted
I avoided this
you sit next to mej and
I dreamed you did it
Ester sk [?] never again
John kiss mej now] When you
.
[Page 4]
then asking mej lifs lefvnde
with your purple body --- [?]
lips your eyes your hair
then you’ll have it sawn.
don’t laugh it in bref when
You are 40 miles far away
You never really know the treason
safe for mej in Stockholm
I never intend to speak m
for dough when I arrived
If I were to come Öfverraskad to
you become and it’s manga
many kisses you ä skyl
you mej.
Related Results
Meanders III-Study of neon composition indicating different phases of tube illumination to be controlled by a timer
Meanders III-Study of neon composition indicating different phases of tube illumination to be controlled by a timer
In 1954, Chryssa relocated to San Francisco for a brief period, where she studied at the California School of Fine Arts, eventually making her way to New York City. There she becam...
Meanders I- Study of neon composition indicating different phases of tube illumination to be controlled by a timer
Meanders I- Study of neon composition indicating different phases of tube illumination to be controlled by a timer
In 1954, Chryssa relocated to San Francisco for a brief period, where she studied at the California School of Fine Arts, eventually making her way to New York City. There she becam...
Study of letters on a grid structure
Study of letters on a grid structure
In 1954, Chryssa relocated to San Francisco for a brief period, where she studied at the California School of Fine Arts, eventually making her way to New York City. There she becam...
Warm and cold colour study
Warm and cold colour study
In 1954, Chryssa relocated to San Francisco for a brief period, where she studied at the California School of Fine Arts, eventually making her way to New York City. There she becam...
Warm and cold colour study
Warm and cold colour study
In 1954, Chryssa relocated to San Francisco for a brief period, where she studied at the California School of Fine Arts, eventually making her way to New York City. There she becam...
Fragment with Crux Ansata and Inscription
Fragment with Crux Ansata and Inscription
Crux ansata/ankh and partial Greek inscription tapestry woven in colored wool. Letters present are eta, lunate sigma, theta, (omicron?)... This is mostly likely a votive inscriptio...
Study for the sculpture at Walker Art Center I
Study for the sculpture at Walker Art Center I
In 1954, Chryssa relocated to San Francisco for a brief period, where she studied at the California School of Fine Arts, eventually making her way to New York City. There she becam...
Study for the sculpture at Walker Art Center II
Study for the sculpture at Walker Art Center II
In 1954, Chryssa relocated to San Francisco for a brief period, where she studied at the California School of Fine Arts, eventually making her way to New York City. There she becam...

