Javascript must be enabled to continue!
The Country Music Association, The Country Music Foundation, and Country Music’s History
View through CrossRef
This chapter explores how the Country Music Association and the Country Music Foundation have shaped the telling of country music history. It traces the development of the Foundation and the Country Music Hall of Fame and Museum from the mid-1960s to the present, arguing that although the Foundation sought to become a traditional academic institution in its early years, it was ultimately re-envisioned as a public education institution, also incorporating a museum that would house the Hall of Fame. This stance reflected both the wider trend toward museum corporatization and a democratic impulse to interpret country music history for the widest possible public. Despite the tensions inherent in balancing entertainment with education and sales potential with academic interests, this philosophy not only resulted in a sustainable vehicle for enshrining country music history, it produced a more nuanced presentation of that history than is often acknowledged.
Title: The Country Music Association, The Country Music Foundation, and Country Music’s History
Description:
This chapter explores how the Country Music Association and the Country Music Foundation have shaped the telling of country music history.
It traces the development of the Foundation and the Country Music Hall of Fame and Museum from the mid-1960s to the present, arguing that although the Foundation sought to become a traditional academic institution in its early years, it was ultimately re-envisioned as a public education institution, also incorporating a museum that would house the Hall of Fame.
This stance reflected both the wider trend toward museum corporatization and a democratic impulse to interpret country music history for the widest possible public.
Despite the tensions inherent in balancing entertainment with education and sales potential with academic interests, this philosophy not only resulted in a sustainable vehicle for enshrining country music history, it produced a more nuanced presentation of that history than is often acknowledged.
Related Results
African American Covers of Country Music Before Ray Charles
African American Covers of Country Music Before Ray Charles
Timothy Dodge explores African American interest in and participation in country music dates from the earliest days of the recording industry’s racial segregation of vernacular mus...
Seeing Voices
Seeing Voices
Abstract
We often think of music in terms of sounds intentionally organized into patterns, but music performed in signed languages poses considerable challenges to t...
Theorizing Music Evolution
Theorizing Music Evolution
Abstract
Theorizing Music Evolution is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist wr...
David Bowie and the Art of Music Video
David Bowie and the Art of Music Video
The first in-depth study of David Bowie’s music videos across a sustained period takes on interweaving storyworlds of an iconic career. Remarkable for their capacity to conjure ela...
Ethnomusicologizing
Ethnomusicologizing
In Ethnomusicologizing: Essays on Music in the New Paradigms, composer and musicologist brings together a series of essays on music making in contemporary culture. More specificall...
Nationalism: Past as Prologue
Nationalism: Past as Prologue
Nationalism: Past as Prologue began as a single volume being compiled by Ad Akande, a scholar from South Africa, who proposed it to me as co-author about two years ago. The origina...
Black Music Matters
Black Music Matters
Black Music Matters: Jazz and the Transformation of Music Studies is one of the first books to promote the reform of music studies with a centralized presence of jazz and black mus...

