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The Gravity of Mary Prince’s History
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Sue Thomas uses this chapter to explore recent academic and creative projects about Mary Prince that reframe and add complexity to her story. Prince, enslaved in Bermuda, Grand Turk Island, Antigua and London, is best remembered for her influential slave narrative, The History of Mary Prince, published in 1831 by Thomas Pringle, secretary of the Anti-Slavery Society. The text was a graphic exposé of the atrocities of slavery and brought about a libel case against Pringle by one of Prince’s former owners. Thomas looks at work about Prince including Margot Maddison-MacFadyen’s archival research used both in her PhD dissertation and her historical fiction novella for young readers; themes of other-mothering explored in the poetry of Joan Anim-Addo; a video installation by Joscelyn Gardner using a toy theatre set that reflects on performative aspects of history through Prince’s story; and work by Cynthia M. Kennedy and Michele Speitz which brings attention to the harsh conditions of slaves working in Caribbean salt ponds as described by Prince. Finally, Thomas explores Prince’s conversion to Moravianism and how her experience of slavery chafed against the religious philosophy of quietism.
Title: The Gravity of Mary Prince’s History
Description:
Sue Thomas uses this chapter to explore recent academic and creative projects about Mary Prince that reframe and add complexity to her story.
Prince, enslaved in Bermuda, Grand Turk Island, Antigua and London, is best remembered for her influential slave narrative, The History of Mary Prince, published in 1831 by Thomas Pringle, secretary of the Anti-Slavery Society.
The text was a graphic exposé of the atrocities of slavery and brought about a libel case against Pringle by one of Prince’s former owners.
Thomas looks at work about Prince including Margot Maddison-MacFadyen’s archival research used both in her PhD dissertation and her historical fiction novella for young readers; themes of other-mothering explored in the poetry of Joan Anim-Addo; a video installation by Joscelyn Gardner using a toy theatre set that reflects on performative aspects of history through Prince’s story; and work by Cynthia M.
Kennedy and Michele Speitz which brings attention to the harsh conditions of slaves working in Caribbean salt ponds as described by Prince.
Finally, Thomas explores Prince’s conversion to Moravianism and how her experience of slavery chafed against the religious philosophy of quietism.
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