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The Comics of Alison Bechdel

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The Comics of Alison Bechdel is the first full-length volume dedicated to the comics art of Alison Bechdel, beginning with her early work on the long-running serial comic strip Dykes to Watch Out For and including original scholarship on her acclaimed memoirs Fun Home and Are You My Mother? . The volume is organized into three sections. The first looks at Bechdel’s place in lesbian comics and considers her work in the context of gay and lesbian studies and queer theory. The second looks at kinship, affect, and trauma in Bechdel’s work, with a focus on interiority and the artist’s experiments with comics form. The third looks at place, space, and community, considering the significance of rural queer life, topography and mapping, and forms of LGBTQ community. Archival research and theories of the archive provide new insight into Bechdel’s art, including the composition of Fun Home and the development of the lesser-known Servants to the Cause , which appeared in The Advocate in the late 1980s. An introductory essay orients readers to Bechdel’s career—her childhood in Beech Creek, her involvement in LGBTQ activism and lesbian comix, her move inward towards life writing, and the mainstream cultural recognition prompted by the adaptation of Fun Home into a Tony Award-winning Broadway musical—as well as to current trends in Bechdel scholarship.
University Press of Mississippi
Title: The Comics of Alison Bechdel
Description:
The Comics of Alison Bechdel is the first full-length volume dedicated to the comics art of Alison Bechdel, beginning with her early work on the long-running serial comic strip Dykes to Watch Out For and including original scholarship on her acclaimed memoirs Fun Home and Are You My Mother? .
The volume is organized into three sections.
The first looks at Bechdel’s place in lesbian comics and considers her work in the context of gay and lesbian studies and queer theory.
The second looks at kinship, affect, and trauma in Bechdel’s work, with a focus on interiority and the artist’s experiments with comics form.
The third looks at place, space, and community, considering the significance of rural queer life, topography and mapping, and forms of LGBTQ community.
Archival research and theories of the archive provide new insight into Bechdel’s art, including the composition of Fun Home and the development of the lesser-known Servants to the Cause , which appeared in The Advocate in the late 1980s.
An introductory essay orients readers to Bechdel’s career—her childhood in Beech Creek, her involvement in LGBTQ activism and lesbian comix, her move inward towards life writing, and the mainstream cultural recognition prompted by the adaptation of Fun Home into a Tony Award-winning Broadway musical—as well as to current trends in Bechdel scholarship.

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