Search engine for discovering works of Art, research articles, and books related to Art and Culture
Javascript must be enabled to continue!
Introduction
View through CrossRef
The progress of the main narrative of the Odyssey is frequently suspended by the para-narratives told by the poet and his characters. These can take the form of paradigms providing a model of action for imitation or avoidance by a character. They can also guide interpretation of the main narrative by exploring variations on its basic story shape. A veiled hint may be conveyed through an αἶνος purportedly based on personal experience. Previous work on narratives in the Odyssey, including narratology and narrative strategy, is briefly surveyed. The Homeric poems were showcased in the Athenian festival of the Panathenaea, and religious practice becomes a further source of para-narrative as the Athenian rituals of the Plynteria and Arrephoria are evoked by Penelope’s actions and stories as the poem draws to its end. Athenian control of the pan-Ionian festival in Delos may explain the Apollo paradigm used of Odysseus.
Title: Introduction
Description:
The progress of the main narrative of the Odyssey is frequently suspended by the para-narratives told by the poet and his characters.
These can take the form of paradigms providing a model of action for imitation or avoidance by a character.
They can also guide interpretation of the main narrative by exploring variations on its basic story shape.
A veiled hint may be conveyed through an αἶνος purportedly based on personal experience.
Previous work on narratives in the Odyssey, including narratology and narrative strategy, is briefly surveyed.
The Homeric poems were showcased in the Athenian festival of the Panathenaea, and religious practice becomes a further source of para-narrative as the Athenian rituals of the Plynteria and Arrephoria are evoked by Penelope’s actions and stories as the poem draws to its end.
Athenian control of the pan-Ionian festival in Delos may explain the Apollo paradigm used of Odysseus.
Related Results
Candrakīrti's Introduction to the Middle Way
Candrakīrti's Introduction to the Middle Way
Abstract
Candrakīrti’s “Introduction to the Middle Way” (Madhyamakāvatāra) is a central work of Buddhist philosophy for two reasons. First, it provides an introducti...
Introduction to the Art of Singing by Johann Friedrich Agricola
Introduction to the Art of Singing by Johann Friedrich Agricola
Agricola published Introduction to the Art of Singing in Germany, in 1757, consisting of the 1723 treatise of the Italian singing teacher and castrato, Tosi, to which Agricola adde...
Introduction
Introduction
The Introduction argues that witnessing constitutes an important social, political, and moral mode of address in modern public culture. It justifies this main claim while also expl...
Introduction
Introduction
This introduction to the volume outlines the broader questions raised and answered through a cross-chronological study of tyranny and bad rule. It argues that, as an inversion of t...
Introduction
Introduction
In this chapter, we provide a brief introduction to our book. We discuss the following themes, which run throughout this edited book on depressive disorders and comorbidity: assess...
Literature and Sound Film in Mid-Century Britain
Literature and Sound Film in Mid-Century Britain
Abstract
What happened to cinema and literature upon the introduction of synchronized sound film? Literature and Sound Film in Mid-Century Britain studies the paths ...
Contemporary American Fiction
Contemporary American Fiction
Abstract
Contemporary American Fiction provides an introduction to American fiction since 1970. Offering substantial and detailed interpretations of more than thirty...
Aristotle: Rhetoric
Aristotle: Rhetoric
Edward Meredith Cope (1818–1873) was an English scholar of classics who served as Fellow and Tutor at Trinity College, Cambridge. One of the leading Greek specialists of his time, ...