Javascript must be enabled to continue!
Red Band with Rider, Nereid, and Plants
View through Harvard Museums
This large red band is decorated with multicolored human figures, animals, and fanciful plants inside square compartments. In the lower portion of the band, three such squares are grouped together one above the next and the group surrounded by a light colored band. The middle of these three compartments is red and features a male rider atop a pink prancing horse. The horse’s raised front leg is blue and stands out from the rest of the animal. Above and below this rider are teal colored squares filled with stylized, stalky plants with spade-shaped leaves. Above these plants grounding out of the groundline are two yellow free-floating shapes, possibly also meant as plant forms.
Above this group of three squares is a single square containing a vine medallion; tendrils with leaves sprout from this vine and fill the empty corners of the square holding the medallion. Within this medallion is a nude female nereid riding upon a sea monster. She throws her hands up in a posture often seen among Dionysiac dancers and meant to indicate revelry.
At the top of the band, the pattern of several squares grouped together appears again. The first square has the same design of foliage as does the lowest square at the bottom of the band. Above it is a red square with a partial motif of an orange animal. Another square of foliage probably once existed above this.
On either side of the band, some fabric survives that hints at the appearance of the rest of the textile from which this fragment has been cut. A brown wave scroll border outlined in white is visible on both sides of the red band. Plain undyed fabric exists outside the wave border.
Department of Ancient and Byzantine Art & Numismatics
Harvard Art Museums/Arthur M. Sackler Museum Gift of Nanette B. Rodney
Title: Red Band with Rider, Nereid, and Plants
Description:
This large red band is decorated with multicolored human figures, animals, and fanciful plants inside square compartments.
In the lower portion of the band, three such squares are grouped together one above the next and the group surrounded by a light colored band.
The middle of these three compartments is red and features a male rider atop a pink prancing horse.
The horse’s raised front leg is blue and stands out from the rest of the animal.
Above and below this rider are teal colored squares filled with stylized, stalky plants with spade-shaped leaves.
Above these plants grounding out of the groundline are two yellow free-floating shapes, possibly also meant as plant forms.
Above this group of three squares is a single square containing a vine medallion; tendrils with leaves sprout from this vine and fill the empty corners of the square holding the medallion.
Within this medallion is a nude female nereid riding upon a sea monster.
She throws her hands up in a posture often seen among Dionysiac dancers and meant to indicate revelry.
At the top of the band, the pattern of several squares grouped together appears again.
The first square has the same design of foliage as does the lowest square at the bottom of the band.
Above it is a red square with a partial motif of an orange animal.
Another square of foliage probably once existed above this.
On either side of the band, some fabric survives that hints at the appearance of the rest of the textile from which this fragment has been cut.
A brown wave scroll border outlined in white is visible on both sides of the red band.
Plain undyed fabric exists outside the wave border.
Related Results
Image frieze over Queen Victoria’s of England coronation procession 1838-06-28, published by Fore 's Sporting & Fine Print Repository, London.
Image frieze over Queen Victoria’s of England coronation procession 1838-06-28, published by Fore 's Sporting & Fine Print Repository, London.
Image frieze on the short ends with glued joints attached sheets paper, l: 185 mm, h: 10.3 mm. Attached to a pearl cardboard sleeve with glued brown pink (?) fabric with pressed fr...
Fragment of architectural frieze plaque: armed riders (from frieze depicting procession of armed riders)
Fragment of architectural frieze plaque: armed riders (from frieze depicting procession of armed riders)
Fragment of a molded terracotta plaque, broken on all sides. Flat on the back. A great deal of brown dirt or accretion in the crevices.
Two armed riders on horses (two, though t...
Figur. Man till häst, Östra Handynastin.
Figur. Man till häst, Östra Handynastin.
FIGURE. Man to Horse. Roughly modelled of reddish-brown goods with greenish, flame glaze. Probably the figure is broken from a larger object. On the inside of the horse’s forelimb ...
Emperor Leopold I elevates Mark Putz von Adlersthurn, court chamber council and secret secretary, to the old knight’s state, improves his coat of arms and improves his predicate on von Putz zu Adlerßthurn and grants him a new predicate Edler von Schrotten
Emperor Leopold I elevates Mark Putz von Adlersthurn, court chamber council and secret secretary, to the old knight’s state, improves his coat of arms and improves his predicate on von Putz zu Adlerßthurn and grants him a new predicate Edler von Schrotten
Character: description on folk. 5b and 6a, miniature on folk. 5a, 166 x 151 mm.
Quarter shield with crowned heart plate. It is red with a silver crossbar, above the crossbar is the...
Band with Two Figures on Horseback
Band with Two Figures on Horseback
Vivid, fragmentary tapestry woven band with two riders. Each rider raises high his left arm. The upper rider has red hair, white clothing, and large yellow shoes. He sits on a red ...
Hydria (water jar): Perseus pursued by Gorgons
Hydria (water jar): Perseus pursued by Gorgons
On the shoulder: This scene depicts gorgons chasing after the hero Perseus, whose most famous accomplishment was beheading one of the gorgons, Medusa; presumably here we see the tw...
Tunic Band: Dancers in a Nile Landscape
Tunic Band: Dancers in a Nile Landscape
A red crenellated border on this yellow tapestry-woven band surrounds a repeated pattern of stylized red human figures (some of these are dancers), fish, and fantastic two-headed b...
Column Krater (mixing bowl for wine and water): Theseus and Poseidon; Musician and Audience
Column Krater (mixing bowl for wine and water): Theseus and Poseidon; Musician and Audience
On one side: the Athenian hero Theseus visits his divine father Poseidon. Theseus’s mother was Aethra, and ancient sources sometimes consider him to be the son of her husband, Aege...

