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Photogénie from Renoir to Gance to Renoir
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French Impressionist Cinema, explained as fetishized version of the way filmic meaning was expected to “emerge” from moving photography, focusing on Abel Gance's 1922 film La Roue as well as works by Pierre-Auguste Renoir and Jean Renoir.
Title: Photogénie from Renoir to Gance to Renoir
Description:
French Impressionist Cinema, explained as fetishized version of the way filmic meaning was expected to “emerge” from moving photography, focusing on Abel Gance's 1922 film La Roue as well as works by Pierre-Auguste Renoir and Jean Renoir.
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