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Reception of Fyodor Dostoevsky's Works Among Chinese Readers

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Existing research on the reception of Fyodor Dostoevsky's works in China primarily focuses on the academic reception history, with limited attention paid to ordinary readers on the internet. This study employs the qualitative analysis software NVivo 12 to analyze comments from ordinary readers on Douban. By integrating Stanley Fish's reader-response criticism and Stuart Hall's reception theory, the study identifies three distinct reader reception models and analyzes their influencing factors. Faithful fans, influenced by the Russian classical literature horizon of expectations, offer highly positive evaluations. Rational evaluators exhibit a complex attitude of both criticism and appreciation, driven by their rational stance and cultural aesthetic differences. Critics, encounter frustration in their expectations due to conflicts between their local aesthetic perspectives and the works. This study broadens the scope of audience in the reception research of Dostoevsky's works in China, revealing the diversity and complexity of ordinary readers' reception, and provides important insights for cross-cultural reader studies.
Title: Reception of Fyodor Dostoevsky's Works Among Chinese Readers
Description:
Existing research on the reception of Fyodor Dostoevsky's works in China primarily focuses on the academic reception history, with limited attention paid to ordinary readers on the internet.
This study employs the qualitative analysis software NVivo 12 to analyze comments from ordinary readers on Douban.
By integrating Stanley Fish's reader-response criticism and Stuart Hall's reception theory, the study identifies three distinct reader reception models and analyzes their influencing factors.
Faithful fans, influenced by the Russian classical literature horizon of expectations, offer highly positive evaluations.
Rational evaluators exhibit a complex attitude of both criticism and appreciation, driven by their rational stance and cultural aesthetic differences.
Critics, encounter frustration in their expectations due to conflicts between their local aesthetic perspectives and the works.
This study broadens the scope of audience in the reception research of Dostoevsky's works in China, revealing the diversity and complexity of ordinary readers' reception, and provides important insights for cross-cultural reader studies.

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