La escritura de la teoría como autoficción: Alain Robbe-Grillet

In this article we analyze the presence of theoretical discourse and critical theory within Alain Robee-Grillet’s autofiction, published between 1984 and 1994 under the title of Les Romanesques. The possibility of representation of the ‘I’ lays within the duplicity network of intertextual characteristics, which extends from Marcel Proust to Mario Bellatín. It offers an alternative rearrangement of the text which may be included in the autofiction genre, renamed as nouvelle autobiographie. The main purpose of this study is to analyze a way of writing, metaliterary and auto/analytic, which, paradoxically, offers a fictional reading.