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Invisible Terrain
Invisible Terrain
In his debut collection, Some Trees (1956), John Ashbery poses a question that resonates across his oeuvre and much modern art: “How could he explain to them his prayer / that natu...
Richard Wagner and the Art of the Avant-Garde, 1860-1910
Richard Wagner and the Art of the Avant-Garde, 1860-1910
This book explores the responses of leading European avant-garde painters to the operas of Richard Wagner, the most influential composer of the late nineteenth century. The term av...
Crown of Thorns
Crown of Thorns
Jesus’ Crown of Thorns has become one of the most ubiquitous features of Christian religious art, but was the crown of history anything like the crown of popular medieval art and p...
The Massacre of the Innocents
The Massacre of the Innocents
In The Massacre of the Innocents: Studies in the Cultural Afterlife of a Gospel Scene, Warren Carter examines some fifty instances of the interpretation of the Matthean “Massacre o...
Flann O’Brien and the European Avant-Garde, 1934–45
Flann O’Brien and the European Avant-Garde, 1934–45
Crossing the boundaries of a single-author study, this book uncovers Flann O'Brien's attempt to forge a commercially successful Irish literary project from international avant-gard...
Parole et geste dans la tragédie grecque. À la lumière des trois « Électre »
Parole et geste dans la tragédie grecque. À la lumière des trois « Électre »
Imaginez-vous à Athènes, vers 414 avant J.-C. Dans le théâtre de Dionysos sous l’Acropole. Gradins en bois, sol de terre battue, et pour seul décor un bâtiment rudimentaire, doté d...
“Growing Pains”
“Growing Pains”
Revised drastically while in production in 1981, cast with actors aged sixteen to twenty-six, the tuneful, experimental musicalMerrily We Roll Along, adapted from an unsuccessful p...