Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Opera Manual

View through CrossRef
You are getting ready for a performance of Donizetti’s L’elisir d’amore and you have a few questions. How many clarinets are in the orchestra? How many orchestra members appear onstage? How many different sets are there? How long does the opera typically run? What are the key arias? Are any special effects or ballet choreography required? Who owns the rights? Where was it premiered? What are the leading and supporting roles? The Opera Manual is the only single source for the answers to these and other important questions. It is the ultimate companion for opera lovers, professionals, scholars, and teachers, featuring comprehensive information about, and plot summaries for, more than 550 operas—including every opera that is likely to be performed today, from standard to rediscovered contemporary works. The book is invaluable, especially for opera professionals, who will find everything they need for choosing and staging operas. But it is also a treasure for listeners. Similar reference books commonly skip over scenes and supporting characters in their plot summaries, lacking even the most basic facts about staging, orchestral, and vocal requirements. The Opera Manual, based on the actual scores of the works discussed, is the only exhaustive, up-to-date opera companion—a “recipe book” that will enable its readers to explore those operas they know and discover new ones to sample and enjoy.
Scarecrow Press, Inc.
Title: Opera Manual
Description:
You are getting ready for a performance of Donizetti’s L’elisir d’amore and you have a few questions.
How many clarinets are in the orchestra? How many orchestra members appear onstage? How many different sets are there? How long does the opera typically run? What are the key arias? Are any special effects or ballet choreography required? Who owns the rights? Where was it premiered? What are the leading and supporting roles? The Opera Manual is the only single source for the answers to these and other important questions.
It is the ultimate companion for opera lovers, professionals, scholars, and teachers, featuring comprehensive information about, and plot summaries for, more than 550 operas—including every opera that is likely to be performed today, from standard to rediscovered contemporary works.
The book is invaluable, especially for opera professionals, who will find everything they need for choosing and staging operas.
But it is also a treasure for listeners.
Similar reference books commonly skip over scenes and supporting characters in their plot summaries, lacking even the most basic facts about staging, orchestral, and vocal requirements.
The Opera Manual, based on the actual scores of the works discussed, is the only exhaustive, up-to-date opera companion—a “recipe book” that will enable its readers to explore those operas they know and discover new ones to sample and enjoy.

Related Results

Opera as Art
Opera as Art
In Opera as Art: Philosophical Sketches, Paul Thom argues for opera as an art, standing alongside other artforms that employ visual and sonic media to embody the great themes of hu...
Emma Abbott, the “People’s Prima Donna”
Emma Abbott, the “People’s Prima Donna”
The focus of this chapter is the most successful grand opera company of the decade, the troupe of Emma Abbott. This prima donna was thoroughly trained in the Italian school and per...
Il Rodolfo Nero, or The Masque of Blackness
Il Rodolfo Nero, or The Masque of Blackness
In this chapter, the author reflects on the issue of race in opera and its impact on black singers. He first recounts his European operatic debut in Milan in 1960, singing the role...
Performing Race in Ernst Krenek’s Jonny spielt auf
Performing Race in Ernst Krenek’s Jonny spielt auf
This chapter examines the role of race and racial representation in Ernst Krenek's 1927 opera Jonny spielt auf (“Jonny Strikes Up”) in order to determine whether it can be consider...
Manual de señalética
Manual de señalética
Con el objetivo de garantizar unas indicaciones claras y efectivas que ayuden a orientarse en las instalaciones de la Universidad de Zaragoza, se crea este Manual de Señalética. Ad...
Effie Ober and the Boston Ideal Opera Company, 1879–1885
Effie Ober and the Boston Ideal Opera Company, 1879–1885
This chapter focuses on the Boston Ideal Opera Company, a comic opera troupe. Its founder, Effie Hinckley Ober, was not a performer, but a businesswoman who owned one of the first ...
From Honolulu to Havana
From Honolulu to Havana
Though the Cantonese opera network spanned the Americas, its manifestation in any particular place varied according to local conditions. This chapter considers three Chinese theate...

Back to Top