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Tea gown
View through The Met
silk, Italian
Costume Institute, Metropolitan Museum of Art New York NY, Gift of Louise Rorimer Dushkin 1963
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Satin tea gown, probably designed by Worth, Paris, ca. 1900. Satin tea gown with two delicate overlayers of pink chiffon crêpe continuing over the train. The bodice is pouched into a broad satin belt with a falling sash. The gown is machine-stitched with
Satin tea gown, probably designed by Worth, Paris, ca. 1900. Satin tea gown with two delicate overlayers of pink chiffon crêpe continuing over the train. The bodice is pouched into a broad satin belt with a falling sash. The gown is machine-stitched with
Satin tea gown, probably designed by Worth, Paris, ca. 1900. Satin tea gown with two delicate overlayers of pink chiffon crêpe continuing over the train. The bodice is pouched into...
Tea gown of silk velvet, embroidered with coloured silks, England, 1895-1900. Tea gown of purple silk velvet with puffed elbow length sleeves and a full and long trained skirt falling from below the bust. The elbow bands, V-neckline and the centre front o
Tea gown of silk velvet, embroidered with coloured silks, England, 1895-1900. Tea gown of purple silk velvet with puffed elbow length sleeves and a full and long trained skirt falling from below the bust. The elbow bands, V-neckline and the centre front o
Tea gown of silk velvet, embroidered with coloured silks, England, 1895-1900. Tea gown of purple silk velvet with puffed elbow length sleeves and a full and long trained skirt fall...
Christening gown, linen, with lace and embroidered insertion, United Kingdom, ca. 1900. Christening gown of white linen, with a central panel of lace and embroidered insertion with a floral pattern. Marked 'Grimshaw' in the bodice. Linen, with lace and e
Christening gown, linen, with lace and embroidered insertion, United Kingdom, ca. 1900. Christening gown of white linen, with a central panel of lace and embroidered insertion with a floral pattern. Marked 'Grimshaw' in the bodice. Linen, with lace and e
Christening gown, linen, with lace and embroidered insertion, United Kingdom, ca. 1900. Christening gown of white linen, with a central panel of lace and embroidered insertion with...
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and hand-sewn. Mordant dyed. Cut without a waist seam, and constructed from two
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and hand-sewn. Mordant dyed. Cut without a waist seam, and constructed from two
Woman's open gown of cotton and linen, hand-painted and woven in India, sewn in Great Britain, 1795-1800. Woman's open gown of hand-painted Indian cotton and linen. Hand-woven and ...
A sack-back gown, petticoat and stomacher made in the late 1760s of 1730s silk and trimmed with knotted silk fringe. It may have been remade from a mantua, as the petticoat is pieced with plain silk at the back. Has also been worn for 19th century fancy d
A sack-back gown, petticoat and stomacher made in the late 1760s of 1730s silk and trimmed with knotted silk fringe. It may have been remade from a mantua, as the petticoat is pieced with plain silk at the back. Has also been worn for 19th century fancy d
A sack-back gown, petticoat and stomacher made in the late 1760s of 1730s silk and trimmed with knotted silk fringe. It may have been remade from a mantua, as the petticoat is piec...
Watercolour design on silk intended to be used as the train of a ball-gown, Charles Conder, ca. 1903. Watercolour design on silk intended to be used as the train of a ball-gown. Watercolour on silk.
Watercolour design on silk intended to be used as the train of a ball-gown, Charles Conder, ca. 1903. Watercolour design on silk intended to be used as the train of a ball-gown. Watercolour on silk.
Watercolour design on silk intended to be used as the train of a ball-gown, Charles Conder, ca. 1903. Watercolour design on silk intended to be used as the train of a ball-gown. W...
Pierre-Numa Bassaget and Jean-Denis Nargeot. Two women's day dresses by Mme Provost and Mme Oudot-Manoury; and a baby gown. Hand-coloured engraving from the Journal des Dames et des Modes, 1836. Two women in an interior, one holding a baby. In the foregro
Pierre-Numa Bassaget and Jean-Denis Nargeot. Two women's day dresses by Mme Provost and Mme Oudot-Manoury; and a baby gown. Hand-coloured engraving from the Journal des Dames et des Modes, 1836. Two women in an interior, one holding a baby. In the foregro
Pierre-Numa Bassaget and Jean-Denis Nargeot. Two women's day dresses by Mme Provost and Mme Oudot-Manoury; and a baby gown. Hand-coloured engraving from the Journal des Dames et de...
Baby's long gown of white muslin embroidered in white with sprays of flowers, made in England, ca. 1850. Long gown of white muslin for a baby, the skirt embroidered in white with sprays of stylized flowers resembling daisies and china asters worked in cha
Baby's long gown of white muslin embroidered in white with sprays of flowers, made in England, ca. 1850. Long gown of white muslin for a baby, the skirt embroidered in white with sprays of stylized flowers resembling daisies and china asters worked in cha
Baby's long gown of white muslin embroidered in white with sprays of flowers, made in England, ca. 1850. Long gown of white muslin for a baby, the skirt embroidered in white with s...