Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Hushang Battles the Black Div (text recto; painting verso of folio 16), Illustrated folio from a manuscript of the Shahnama by Firdawsi

View through Harvard Museums
This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript has 325 folios and is copied in nastaliq script. There are two illuminated panels at the beginning of the prose and poetry sections of the Shahnama. There are 34 illustrations that appear to have been painted when the manuscript was copied and 26 simple style illustrations that can be dated to a later phase. Overall, based on the style of the illustrations, illumination, and the interpolated texts, the creation of the manuscript can be attributed to the late 17th-early 18th century in Kashmir, the northern region of India under Mughal control. Later in the 19th century, the incomplete manuscript was furnished with simple style illustrations and possibly with a new illuminated panel at the beginning of the text.
Department of Islamic & Later Indian Art George McFadden New York (by 1987-1988) sold; to José M.Soriano New York (1988-2014) gift; to the Harvard Art Museums 2014. Harvard Art Museums/Arthur M. Sackler Museum Gift of José M. Soriano in honor of Thomas W. Lentz and in memory of Stuart Cary Welch
Title: Hushang Battles the Black Div (text recto; painting verso of folio 16), Illustrated folio from a manuscript of the Shahnama by Firdawsi
Description:
This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama.
The manuscript has 325 folios and is copied in nastaliq script.
There are two illuminated panels at the beginning of the prose and poetry sections of the Shahnama.
There are 34 illustrations that appear to have been painted when the manuscript was copied and 26 simple style illustrations that can be dated to a later phase.
Overall, based on the style of the illustrations, illumination, and the interpolated texts, the creation of the manuscript can be attributed to the late 17th-early 18th century in Kashmir, the northern region of India under Mughal control.
Later in the 19th century, the incomplete manuscript was furnished with simple style illustrations and possibly with a new illuminated panel at the beginning of the text.

Related Results

Album of Drawings
Album of Drawings
1) Pen and brown ink brush and gray wash. 2) Pen and brown ink over black chalk. 3) 4) Black chalk. 5) Pen and brown ink over black chalk. 6) Pen and br...
[Address Book]
[Address Book]
Pencil and ink on paper...
Afrasiyab and Siyavush Embrace (painting, recto; text, verso), illustrated folio from a manuscript of the Shahnama by Firdawsi
Afrasiyab and Siyavush Embrace (painting, recto; text, verso), illustrated folio from a manuscript of the Shahnama by Firdawsi
In this part of Firdawsi’s epic, the Iranian king Kay Kavus decided to wage war against Turan (Turkestan), even though his son, prince Siyavush, had signed a treaty with the Turani...
Faramurz Battles Pilsam (text recto; painting verso of folio 271), Illustrated folio from a manuscript of the Shahnama by Firdawsi
Faramurz Battles Pilsam (text recto; painting verso of folio 271), Illustrated folio from a manuscript of the Shahnama by Firdawsi
This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript h...

Back to Top