Javascript must be enabled to continue!
Rustam Saves Bijan from the Well (painting recto; text verso of folio 233), Illustrated folio from a manuscript of the Shahnama by Firdawsi
View through Harvard Museums
This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript has 325 folios and is copied in nastaliq script. There are two illuminated panels at the beginning of the prose and poetry sections of the Shahnama. There are 34 illustrations that appear to have been painted when the manuscript was copied and 26 simple style illustrations that can be dated to a later phase. Overall, based on the style of the illustrations, illumination, and the interpolated texts, the creation of the manuscript can be attributed to the late 17th-early 18th century in Kashmir, the northern region of India under Mughal control. Later in the 19th century, the incomplete manuscript was furnished with simple style illustrations and possibly with a new illuminated panel at the beginning of the text.
Department of Islamic & Later Indian Art
George McFadden New York (by 1987-1988) sold; to José M.Soriano New York (1988-2014) gift; to the Harvard Art Museums 2014.
Harvard Art Museums/Arthur M. Sackler Museum Gift of José M. Soriano in honor of Thomas W. Lentz and in memory of Stuart Cary Welch
Title: Rustam Saves Bijan from the Well (painting recto; text verso of folio 233), Illustrated folio from a manuscript of the Shahnama by Firdawsi
Description:
This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama.
The manuscript has 325 folios and is copied in nastaliq script.
There are two illuminated panels at the beginning of the prose and poetry sections of the Shahnama.
There are 34 illustrations that appear to have been painted when the manuscript was copied and 26 simple style illustrations that can be dated to a later phase.
Overall, based on the style of the illustrations, illumination, and the interpolated texts, the creation of the manuscript can be attributed to the late 17th-early 18th century in Kashmir, the northern region of India under Mughal control.
Later in the 19th century, the incomplete manuscript was furnished with simple style illustrations and possibly with a new illuminated panel at the beginning of the text.
Related Results
painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, paint
painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, painting, paint
"Here is portrayed three Moods of the Sky and the effects on the Fish and Animals. Sharks and Turtles come to the Surface when it is Raining. Wallabies and Kangaroos are out feedin...
Rustam's Seventh Course: He Slays the White Demon (painting, recto; text, verso), illustrated folio from a manuscript of the Shahnama by Firdawsi
Rustam's Seventh Course: He Slays the White Demon (painting, recto; text, verso), illustrated folio from a manuscript of the Shahnama by Firdawsi
The great hero Rustam had to perform a series of labors to free the king of Iran, Kay Kavus, who had been captured by the evil Ahriman. This illustrated folio depicts Rustam’s seve...
[Black Leather-Bound Appointment and Address Book]
[Black Leather-Bound Appointment and Address Book]
Pencil and ink on paper...
Garshivaz Brings Bijan in Front of Afrasiyab (text recto; painting verso of folio 223), Illustrated folio from a manuscript of the Shahnama by Firdawsi
Garshivaz Brings Bijan in Front of Afrasiyab (text recto; painting verso of folio 223), Illustrated folio from a manuscript of the Shahnama by Firdawsi
This manuscript is the first volume of a two-volume Shahnama by Firdawsi with further Shahnama inspired interpolated texts from the Garshaspnama and the Barzunama. The manuscript h...
Afrasiyab and Siyavush Embrace (painting, recto; text, verso), illustrated folio from a manuscript of the Shahnama by Firdawsi
Afrasiyab and Siyavush Embrace (painting, recto; text, verso), illustrated folio from a manuscript of the Shahnama by Firdawsi
In this part of Firdawsi’s epic, the Iranian king Kay Kavus decided to wage war against Turan (Turkestan), even though his son, prince Siyavush, had signed a treaty with the Turani...