Javascript must be enabled to continue!
Intermediality, Intermodality, and Semiotics
View through CrossRef
The article discusses the Scandinavian approach to intermediality, namely, the ideas of Lars Elleström who defines intermediality as intermodal relationship. The discussion covers a range of questions: approach’s distinction from another model of intermediality (presented by Werner Wolf and Irina O. Rajewsky), its basis, i.e., the semiotic ideas of Charles S. Peirce that are of special importance for intermedial studies, the definition of medium it proposes, and finally, its analytical potential. Elleström focuses on the issue of specification of medium and makes modality the core notion of the three-layered definition of medium. The definition includes three complementary types of media considered as “theoretical aspects of what constitutes media and intermediality.” The two of them, basic and qualified media, are presented as abstract categories and structures that reveal the modes in which mediality and intermediality are formed. Technical medium is explained as a material device to embody the medial instances. Elleström’s model provides an opportunity in each particular case to see what could be acknowledged as intermediality, how this intermedial relation affects signification, and what aspects separate it from the French semiotics approach grounded in the Saussurean notion of sign. To exemplify the differences, the article offers the revision of Gremasean semiotic analysis of išlydžių zonos [discharge zones] by Gytis Norvilas within the framework of intermodal intermediality. The revision reveals the limits of semiotic analysis, the potential of intermodal approach, and the interconnection between the intermodal approach to intermediality and Genettean model of transtextuality.
Title: Intermediality, Intermodality, and Semiotics
Description:
The article discusses the Scandinavian approach to intermediality, namely, the ideas of Lars Elleström who defines intermediality as intermodal relationship.
The discussion covers a range of questions: approach’s distinction from another model of intermediality (presented by Werner Wolf and Irina O.
Rajewsky), its basis, i.
e.
, the semiotic ideas of Charles S.
Peirce that are of special importance for intermedial studies, the definition of medium it proposes, and finally, its analytical potential.
Elleström focuses on the issue of specification of medium and makes modality the core notion of the three-layered definition of medium.
The definition includes three complementary types of media considered as “theoretical aspects of what constitutes media and intermediality.
” The two of them, basic and qualified media, are presented as abstract categories and structures that reveal the modes in which mediality and intermediality are formed.
Technical medium is explained as a material device to embody the medial instances.
Elleström’s model provides an opportunity in each particular case to see what could be acknowledged as intermediality, how this intermedial relation affects signification, and what aspects separate it from the French semiotics approach grounded in the Saussurean notion of sign.
To exemplify the differences, the article offers the revision of Gremasean semiotic analysis of išlydžių zonos [discharge zones] by Gytis Norvilas within the framework of intermodal intermediality.
The revision reveals the limits of semiotic analysis, the potential of intermodal approach, and the interconnection between the intermodal approach to intermediality and Genettean model of transtextuality.
Related Results
The Historic Mission of Chinese Semiotic Scholars
The Historic Mission of Chinese Semiotic Scholars
Abstract
Semiotics as a science of signs originated from Europe and America where France, the USA and Russia are acknowledged as the three epicenters for semiotics s...
And the Flesh in Between: Towards a Health Semiotics
And the Flesh in Between: Towards a Health Semiotics
AbstractThe call for a biosemiotic perspective within medical semiotics has been steadily increasing over the late twentieth and early twenty-first centuries. In Food and Medicine:...
Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema
Introduction: The Art of In-Betweenness in Contemporary Eastern European Cinema
The introduction offers an overview of a wide spectrum of approaches to studying intermediality in the context of Eastern European cinemas, from concept-based studies to analyses o...
Speculative Semiotics
Speculative Semiotics
Abstract
This paper introduces the notion of speculative semiotics as a scientific project within the larger umb- rella of speculative studies. The paper first provi...
Scratch and Mark: Affective Intermediality Towards Mathilde
Scratch and Mark: Affective Intermediality Towards Mathilde
Claire Denis’ cinema relies on in-betweenness of the film medium, combining it with other art forms and media through sensations. Towards Mathilde (2005) documents the corresponden...
Caught In-Between
Caught In-Between
This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern Bloc. As an a...
INTERMEDIALITY IN THE AZERBAIJANI NOVEL: NOTES ON THE TOPIC
INTERMEDIALITY IN THE AZERBAIJANI NOVEL: NOTES ON THE TOPIC
The article talks about intermediality, which determines the intertextual connection, based on the imagery of different types of art. Rauf Farhadov’s “Amorphia. Overdose” and Hafiz...
Imaginative Possibilities of Harry Gordon`s Poetry
Imaginative Possibilities of Harry Gordon`s Poetry
The author of the article examines the lyrics of the poet and artist Harry Gordon through the category of intermediality, discovering the unique visual possibilities of his word wh...

