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Villon in the Theatre of Over-interpretation
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The article ironically links the procedure of over-interpreting literary texts with the
idea of literature as a potential palimpsest. Experienced readers tend to over-interpret
texts. This tendency is discussed on the example of „Catherine la Dentelliere”, a story
by M. Schwob from his volume „Vies Imaginaires” (1896). It is analyzed through references
to a famous collection of poems by the fi fteenth-century poet F. Villon „Le Grand
Testament”. Though the poet is not directly mentioned by Schwob, he is in fact the main
protagonist of the story that inspired Schwob: „A Lodging of the Night. A Story of François
Villon” by R. L. Stevenson (1877). The scenes and the mood of these texts are evoked
in J.L. Borges’s story „The Rose of Paracelse” (1983), which in turn it can be read via the
motto taken from T. De Quincey’s essay (1845) which considers the text as a palimpsest.
Title: Villon in the Theatre of Over-interpretation
Description:
The article ironically links the procedure of over-interpreting literary texts with the
idea of literature as a potential palimpsest.
Experienced readers tend to over-interpret
texts.
This tendency is discussed on the example of „Catherine la Dentelliere”, a story
by M.
Schwob from his volume „Vies Imaginaires” (1896).
It is analyzed through references
to a famous collection of poems by the fi fteenth-century poet F.
Villon „Le Grand
Testament”.
Though the poet is not directly mentioned by Schwob, he is in fact the main
protagonist of the story that inspired Schwob: „A Lodging of the Night.
A Story of François
Villon” by R.
L.
Stevenson (1877).
The scenes and the mood of these texts are evoked
in J.
L.
Borges’s story „The Rose of Paracelse” (1983), which in turn it can be read via the
motto taken from T.
De Quincey’s essay (1845) which considers the text as a palimpsest.
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