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Tom Wesselmann, Tom Wesselmann (Hand Signed and Warmly Inscribed by Tom Wesselmann) (1980)
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Tom Wesselmann (Catalogue Raisonne Hand Signed and Warmly Inscribed by Tom Wesselmann), 13 1/2 × 12 × 1 1/2 in
Title: Tom Wesselmann, Tom Wesselmann (Hand Signed and Warmly Inscribed by Tom Wesselmann) (1980)
Description:
Tom Wesselmann (Catalogue Raisonne Hand Signed and Warmly Inscribed by Tom Wesselmann), 13 1/2 × 12 × 1 1/2 in.
Related Results
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Personifications of medicine, pharmacy and surgery. Oil painting after (?) Nicolas de Larmessin II (1638-1694).
Lettering: Inscriptions on the surgical equipment which forms the costume of the surgeon are as follows. On the instrument on his head: Eleuatoire po' la Teste. On his right arm: B...
Enamelled gold gimmel ring, set with turquoises, decorated with one hand with a heart and strapwork on the shoulders, the left hoop inscribed 'SYMON CORNELIS Z.', the right one inscribed 'CORNELISI ENGELS. D.', Holland, late 16th or early 17th century. En
Enamelled gold gimmel ring, set with turquoises, decorated with one hand with a heart and strapwork on the shoulders, the left hoop inscribed 'SYMON CORNELIS Z.', the right one inscribed 'CORNELISI ENGELS. D.', Holland, late 16th or early 17th century. En
Enamelled gold gimmel ring, set with turquoises, decorated with one hand with a heart and strapwork on the shoulders, the left hoop inscribed 'SYMON CORNELIS Z.', the right one ins...
Tom Wesselmann, Tom Wesselmann, 'Look at Wesselmann, Nude with Still Life' Poster, 1968 (1964)
Tom Wesselmann, Tom Wesselmann, 'Look at Wesselmann, Nude with Still Life' Poster, 1968 (1964)
Screenprint in colors/heavy wove paper. Publ by Galerie Thomas, Munich on the occasion of the exhibition Look at Wesselmann, 60 × 71 cm...
Sam Gilliam, Sam Gilliam - Hand Signed by Sam Gilliam and warmly Inscribed to Renowned African American Arts Educator (1988)
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Hand Signed and Inscribed Artist Offset Lithograph Card (Signed by Sam Gilliam), 14 × 11 1/2 in...
Tom Wesselmann, Tom Wesselmann untitled Nude Girl, (Tom Wesselmann One Cent Life) (1964)
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Lithograph in color on two separate sheets of wove paper that join together, 16 × 22 3/4 in...