Search engine for discovering works of Art, research articles, and books related to Art and Culture
ShareThis
Javascript must be enabled to continue!

Royal Gardens, Parks, and the Architecture Within

View through CrossRef
Inscriptions of Assyrian kings disclose that these rulers maintained and improved the land near the palace. This paper brings together the pictorial versions of what may be described as the “Assyrian royal landscape,” that is, outdoor scenery designed for royal purposes and represented on the stone panels that lined the walls of the palaces at Nimrud, Nineveh, and Dur-Sharrukin. The royal landscapes differ from reign to reign, since they each reflect some aspect of the particular king’s rule. The description and discussion of the individual scenes also take into account the rationale behind their creation. Textual and archaeological data are supportive additions, and the previous studies of other scholars are also considered. The discussion of scenes carved on the stone panels follows in chronological sequence the reigns of four Assyrian kings: Ashurnasirpal II (883–859 BCE), Sargon II (721–705 BCE), Sennacherib (704–669 BCE), and Ashurbanipal (668–627 BCE). The chronological presentation demonstrates that royal landscape imagery in the sculptural arts progressed as a method of documentation by the Assyrian kings.
Title: Royal Gardens, Parks, and the Architecture Within
Description:
Inscriptions of Assyrian kings disclose that these rulers maintained and improved the land near the palace.
This paper brings together the pictorial versions of what may be described as the “Assyrian royal landscape,” that is, outdoor scenery designed for royal purposes and represented on the stone panels that lined the walls of the palaces at Nimrud, Nineveh, and Dur-Sharrukin.
The royal landscapes differ from reign to reign, since they each reflect some aspect of the particular king’s rule.
The description and discussion of the individual scenes also take into account the rationale behind their creation.
Textual and archaeological data are supportive additions, and the previous studies of other scholars are also considered.
The discussion of scenes carved on the stone panels follows in chronological sequence the reigns of four Assyrian kings: Ashurnasirpal II (883–859 BCE), Sargon II (721–705 BCE), Sennacherib (704–669 BCE), and Ashurbanipal (668–627 BCE).
The chronological presentation demonstrates that royal landscape imagery in the sculptural arts progressed as a method of documentation by the Assyrian kings.
.

Related Results

Beginnings of Landscape Architecture in Poland
Beginnings of Landscape Architecture in Poland
The article describes the period from the end of the nineteenth century to the 1950's. It presents the achievements of the pioneers of Polish landscape architecture, associated wit...
Chinese pavilions in the early landscape gardens of Europe
Chinese pavilions in the early landscape gardens of Europe
The image of China perceived by the Europeans in the 17th to 18th century was based on the travelogues of the travellers and missionaries. Despite the fact that the first descripti...
World War II: Defending Park Values and Resources
World War II: Defending Park Values and Resources
Abstract This article focuses on the way in which the National Park Service (NPS) resisted demands for the consumptive use of park resources during World War II prim...
The Sunken Gardens of the Peruvian Coast
The Sunken Gardens of the Peruvian Coast
AbstractSunken gardens are a response to a situation in which ground water is near the surface of a desert but does not reach it. Since the 19th century this situation has generall...
Thomas Rowlandson's Vauxhall Gardens: The Lives of a Print
Thomas Rowlandson's Vauxhall Gardens: The Lives of a Print
While there have been many reception studies of verbal texts, it is only recently that we have begun to explore the historical and cultural contexts of interpretations of eighteent...
Between the land- and cityscape. The idea and practice of a garden in the baroque urban space
Between the land- and cityscape. The idea and practice of a garden in the baroque urban space
The text is devoted to the place of gardens in a baroque city-(town)scape, links between urban planning and designing of residences, mainly on examples from Poland. The fascinating...
Gardens as Architectural Heritage of the Bastion Castle Ensemble
Gardens as Architectural Heritage of the Bastion Castle Ensemble
Historic gardens are often seen in the context of botanical heritage, which emphasizes their aesthetic and botanical value. Yet, their architectural importance as an integral part ...

Back to Top