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The Infant Krishna Floating on the Cosmic Ocean (painting, recto), illustration from the Bhagavata Purana
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This painting depicts the blue-skinned Hindu god Krishna as an infant, sucking his toe as he lies on a banyan leaf, floating in the primordial ocean. The imagery of a baby reclining on a banyan tree (vatavriksha) or leaf (vatapatra) is found in the texts of the Mahabharata, the Matsya Purana, and the Bhagavata Purana. In the context of the pictorial depictions of the theme in the Bhagavata Purana, the child is usually depicted lying on a banyan leaf.
According to the twelfth book of the Bhagavata Purana, the sage Markandeya gained immortality and swam across the cosmic ocean indefinitely. As he swam in the cosmic ocean, he came across the infant Krishna, who opened his mouth to reveal the creation of the universe. Krishna’s infancy represents the formation of a new world cycle. The rich blue hue of Krishna’s skin and heavy, dreamy eyes are characteristic of paintings from Nathdwara. The ‘Vatapatrasayi Krishna’ or ‘Bala-Mukunda’ became an important theme starting in the 18th century in the paintings of Nathdwara in Rajasthan, a great center of Vallabha Sampradaya, a religious sect devoted to the worship of Krishna. Rajput, Rajasthani, Nathdwara School.
Department of Islamic & Later Indian Art
Harvard Art Museums/Arthur M. Sackler Museum Gift in gratitude to John Coolidge Gift of Leslie Cheek Jr. Anonymous Fund in memory of Henry Berg Louise Haskell Daly Alpheus Hyatt Richard Norton Memorial Funds and through the generosity of Albert H. Gordon and Emily Rauh Pulitzer; formerly in the collection of Stuart Cary Welch Jr.
Title: The Infant Krishna Floating on the Cosmic Ocean (painting, recto), illustration from the Bhagavata Purana
Description:
This painting depicts the blue-skinned Hindu god Krishna as an infant, sucking his toe as he lies on a banyan leaf, floating in the primordial ocean.
The imagery of a baby reclining on a banyan tree (vatavriksha) or leaf (vatapatra) is found in the texts of the Mahabharata, the Matsya Purana, and the Bhagavata Purana.
In the context of the pictorial depictions of the theme in the Bhagavata Purana, the child is usually depicted lying on a banyan leaf.
According to the twelfth book of the Bhagavata Purana, the sage Markandeya gained immortality and swam across the cosmic ocean indefinitely.
As he swam in the cosmic ocean, he came across the infant Krishna, who opened his mouth to reveal the creation of the universe.
Krishna’s infancy represents the formation of a new world cycle.
The rich blue hue of Krishna’s skin and heavy, dreamy eyes are characteristic of paintings from Nathdwara.
The ‘Vatapatrasayi Krishna’ or ‘Bala-Mukunda’ became an important theme starting in the 18th century in the paintings of Nathdwara in Rajasthan, a great center of Vallabha Sampradaya, a religious sect devoted to the worship of Krishna.
Rajput, Rajasthani, Nathdwara School.
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